by Kristin George Bagdanov
Winner of the Sunken Garden Poetry Prize
“Whip-smart, allusive, aphoristic, cheekily instructive…shot with lyricism, endlessly playful, intimate, anxious, and often laugh-out-loud funny….” —Timothy Donnelly
Diurne is a procedural project, “a line each hour of waking / a poem each day of making,” that explores how poetry is durational rather than inspirational, work rather than epiphany.
Forthcoming: September 1, 2019
Chaotically weaving witticisms, adages, and inquiries with metaphors and non sequiturs, the second book from Bagdanov (Fossils in the Making) attempts to embody the mystery and mayhem churning beneath the surface of everyday life. -Publishers Weekly
|BOGO||2 - 3||Get 1 quantity of cheapest item|
|BOGO||4 - 5||Get 2 quantity of cheapest item|
|BOGO||6 - 7||Get 3 quantity of cheapest item|
Winner of the Sunken Garden Poetry Prize, chosen by Timothy Donnelly
Diurne is a procedural project, “a line each hour of waking / a poem each day of making,” that explores how poetry is durational rather than inspirational, work rather than epiphany. It is part autobiography, part journalism, part theory, and part apology for not being traditional “poetry.”
“Whip-smart, allusive, aphoristic, cheekily instructive…shot with lyricism, endlessly playful, intimate, anxious, and often laugh-out-loud funny, Diurne achieves with great grace and relative efficiency what the best examples of its subgenre have to offer: it limns a sense of consciousness through whatever’s at hand as it places the noteworthy on equal footing with the banal.” –Timothy Donnelly
I want to take a day off but I won’t start accruing vacation until I’ve
been here for three months
My body refuses to learn its edges
I am not the first person you would notice in a crowd
I haven’t written about my mother for a while. Maybe I solved it. Maybe
this poem is my mother.
If I had an avg. office job, 40hrs/wk w/ 2wks pto, I would accrue
.038hrs of pto/hr. For example, so far today I would have earned 0.19hrs
or 11.5 min. of pto.
I’m not sure which crisis this poem is responding to
Men in my MFA program who said every poem was about being a poem
Not everyone will use the OED to read your poem
We’ve all written a poem about murmuration
I’m floating in the river but can’t stop thinking about my thighs
I’m not making anything new here
After I pull the grass from my hair / After I make my hands a garden /
After I watch it disappear /
I’m not completing any more tasks until I start earning some damn
An accrual poem
In 2015, 55% of Americans who accrued vacation didn’t use all of it. A
lot of people like to hoard their vacation days so that when they leave
then job they can “cash out” and give themselves a little bonus for never
missing work. Corporations prefer to call vacation days “Paid Time Off ”
so that you forget that vacation is the opposite of working. Vacation, as
in, vacate: to be empty, free, etc.
My mother is a fish, said someone
I have earned a 38 min. nap
|Dimensions||6 × 0.25 × 9 in|
“Kristin George Bagdanov has a gift of being able to make lyrics from our daily moments; she finds depth where others only see surfaces; she finds mystery and sets that mystery to music. Her method is impersonal intimacy, she says. This is the intimacy of living with our 21st century vocabulary, our 21st century problems, our 21st century issues—and, yet, finding in all of that the music of waking thought. ‘I am on a verge of waking,’ she says, ‘I find an edge inside myself and push.’ This is an intricate, compelling, necessary work.” —Ilya Kaminsky, author of Deaf Republic and Dancing in Odessa
“Every morning the mind wakes up and reminds itself it is itself, and every night, tired of the endeavor, it lets itself forget. In between, in those waking hours, we think, or think we think, and it is in those skeptical, hypothetical, insecure, brazen, shallow, wonder-struck, wanting, worrying hours that Kristin George Bagdanov’s small book of poetry-philosophy works its necessary work. Her method—a line for every waking hour—lets us glimpse the ever-wounded mind who in its myriad cares knows everything but how to make sense of it all, how exactly to say ‘I.’ So it is she offers us a gift, as real poetry must, not of knowledge, but of learning ever more honestly to say ‘I don’t know’—& yet, so much is known, so much knows us. I want to say this book teaches me that we all wake every day into a Daedalean labyrinth, none of us think we have a thread, but we have the threads that are thoughts, thousands of them. They might not rescue us, but as George Bagdanov so beautifully knows, it isn’t rescue we want, but learning to be more mindfully lost.” —Dan Beachy-Quick, author of gentlessness and Of Silence and Song
“‘Many still set the aesthetic against the political,’ worries the text, refusing to do the same, also refusing to pretend the difficulty has been overcome. Instead it lies down with the difficulty and says, ‘I wait for a poem to wake me up,’ while generously offering poem after poem that does the trick and sets us leaping.” —Joshua Clover, poet and professor at the University of California Davis.
“Daily writing projects come as no surprise, and seldom offer any. The products of self-imposed and -regulated poetic labor often read like not much more than that: output. Diurne, which presents itself as the record of one poet’s ritual writing practice (“a line each hour of waking / a poem each day of making”), is among the great exceptions. Whip-smart, allusive, aphoristic, cheekily instructive (“Catered lunches humanize the workplace”), shot with lyricism, endlessly playful, intimate, anxious, and often laugh-out-loud funny, Diurne achieves with great grace and relative efficiency what the best examples of its subgenre have to offer: it limns a sense of consciousness through whatever’s at hand as it places the noteworthy on equal footing with the banal…What truly distinguishes Diurne is the affective force with which it undertakes its given task: “This is a poem written under duress,” the text professes, and there is never any doubt of it. Rooted in confusions of desire and of the work of being one among many; in questions of subjectivity, economy, and ecology (here at the “postpartum of the world finally giving up its human”), Diurne drags the reader through its divagations in such a fever that it should probably go home, relax, take the rest of the day off…from where I’m standing, it’s pretty much a masterpiece.” —Timothy Donnelly, final judge for the Sunken Garden Poetry Prize
The cover image for Diurne is titled “Two Years: Sifted Pencil Shavings,” by Pecos Pryor. Photo by Tom Hintze.