The 30/30 Project: September 2022

Welcome to the 30/30 Project, an extraordinary challenge and fundraiser for Tupelo Press, a nonprofit 501(c)(3) literary press. Each month, volunteer poets run the equivalent of a “poetry marathon,” writing 30 poems in 30 days, while the rest of us “sponsor” and encourage them every step of the way.

The volunteer poets for September 2022 are Hannah Eads, Lane Falcon, Lindsay Illich, Row Light, LKN, Nikolas Macioci, David Maduli, Aline Soules, and Jess Tower. Read their full bios here.

If you’d like to volunteer for a 30/30 Project month, please fill out our application here and warm up your pen!

Day 27 / Poem 27

Nighttime in its Wild State / Hannah Eads

Over at the cemetery, two animals, unknown as to what kind, are heard fighting or mating, the sound of one yelping and the other growling and gnashing its teeth. Nothing stays normal, stability is not a promise but a period of grace. The sun begins to set and one side of the street is day while the tree-lined side is blanketed in nightfall, the bats already flapping overhead. I am careful to step over a shoe-sized crater in the ground that is being sutured together by tree roots, careful still not to glance too long at the brown animal who turned his back on me. Nothing wants your attention; nothing wants to change you; nothing wants to set you free.

Force of Nature / Lane Falcon

I adopted the humiliations
that came after

as quickly as the idioms
as a child A “watchpot” 

never boils” without parsing
the words that comprise them.


It always felt like me
the one standing in the middle

of all this empirical evidence,
each damage, a state in my body’s

isolated nation, integral
to the whole.


This is what I know:
every wrong has space at the center

of it, a closet, where something
else crouches.


We are all our own
universes, a microcosm of the greater

universe, and something
sets everything in motion.


I am the smallest matryoshka doll
in the stack— that space

inside me was sacred. 

Onions / Lindsay Illich

For Sandra Martinez

At the gym today I caught a glimpse of a man who for a second
I thought was Oscar. He was graying at the temples with workout clothes.
I so wish it would have been him. I have been thinking about you all day. 
About when you kept D. after I left his dad. I felt broken and afraid
every day, and then I would drive to your house and see you and sometimes
Oscar. A little at a time I started feeling ok again. How did you do it?
I think it was the love you built in your home than emanated 
from it that brought me back. I would hang around longer than you
probably wanted me to, but I never felt unwelcome. I wish
I could be there for you now. But the thing is there are some people
you don’t worry about because they know things. Like, one time
you told me about putting onions on the soles of your feet, how they
will draw out the body’s pain. It was a woman’s way of knowing the world:
how to make a thing that makes you cry into a thing that heals.

To a little me / Row Light

Does every day still feel like a field trip in late September, with the wet gravel coming loose just for your bright blue sneakers, strings getting caught in the grooved rubber sole —

Did the rain on the bus drip like so many siblings left behind when the ark took off with their cousins?

Who is next to you now — did you choose a seat mate after careful rounds of interviews and written examinations, fastidious note passing, dares accepted and posed? 

Or did you seat yourself first as some wild thing, waiting to see what came along the procession in a fit of perverse social gambling —

Whose sandwich was thickest? Who crunched their pickles with vigor? Surely, salt and vinegar pruned hands wiped themselves guiltlessly on the bowling alley looking bus seats, little carpets for everyone.

I bet the bus just hit a bump so large that your friend shot up into the air and hit her head on the ceiling, needing staples to put her together again. 

It was one of those buses with a DVD player and “It’s a Mad, Mad, Mad, Mad World” was on, rated G quite inappropriately, since

I remember them saying bad words — or imagine remembering it — and some teacher would tell us, “Things were different in the ‘80s,” while the helpers in the back held my friend’s head together to stop the curtains from pulling open and lighting up her dark room brain.

The screens clucked on as usual, or at least they did in the story I heard. I slept right through the whole ordeal, so asking you, we’ll never be sure.

Culmination / LKN

read my poetry
with your legs
hung, like a gasp
waiting to be parted
swung, as if it were pages
yearning for a touch
such is my literature
it can capture metaphors
with a whisper of letters
it’s like the moans you make
arresting, expressing 
i know you like it
so don’t refuse my eyes
while yours’ dives up
like noons that rhymes
your nails, miming
on my back, deeply
affecting, arresting 
don’t hurry my piece
enlightenment will come
just enjoy our push & pull
the thrust of each thurst
rhythmic, melodic
swaying, bending, breaking 
grammar of pleasure
& pleasure—is a please
don’t say please 
when you bite your lips
like a truth compliments 
pain out of bliss
when stress is released
in a curved spine
an angled head
as your feet makes a point
beyond the page
wanting to be read
to read your body
over, and over the ohhhhhs
it’s in the ahhhhs
where your yes is found
in my body of work
that you’ll come visit again
and again. again 

water first / David Maduli

before coffee,
email, text messages, 
arguments, outside,
airplanes, airports,
education, politics,
investigating, reading,
empathizing, breathing,
sleep, exercise, exorcism,
walking, driving, arriving,
social media, print media, 
people watching, meditation,
alcohol, sugar, carbs,
religion, reflection, hope,
writing, redacting, writing,
water first, water
last, ocean knows

In Praise of the Unchosen / Aline Soules

blessed are the protesters 
for they shall march to free the unjustly imprisoned
unite against the dogged determination of the chosen nine
burn their hijabs in the street
rage at the death of the innocent black man
battle for their right to keep their own country 

blessed are the risk-takers
for they shall endure years in the prisons of the powerful
suffer childbirth from rape at the hands of their aggressors
die at the hands of morality police
cry justice for the death of their loved ones
suffer the horrors of torture for their freedom 

blessed are the beleaguered, 
the sufferers, the down-trodden
blessed are the rejected, the isolated, the unloved, 
the eternally unchosen

Trap Rap / Jess Tower 

is a hit playlist
on my pop-y Spotify.
I don’t get out much.

Day 26 / Poem 26

Honey Alchemy / Hannah Eads

Honey alchemy by mouth
Deeper, sweeter, the red darker

One thought of wildest repurity
To wash the mouth of sailor lives

We’ll dip the apples in the honey
Darken deeper, become richer

Burn the bitterness to a damper hell
Mouth the words to a new year

Too Confessional / Lane Falcon

The first poem I wrote was too confessional 
so this is the poem after, outside the confessional
where this woman finally tells the truth, the hum outside
the booth though you can’t hear the words, a litany 
of sins marching neatly out of her month.
She gobbled them up, they tore up her stomach 
and here’s one without his head, another missing an arm, 
now embedded like an iud in her soul.
Of her own she goes and goes, this is the space
outside of where the literal ends, the rhythmic inventory
of losses and hurts and grievances laid on her 
like pins in a drawer. This is where she sees them and knows
she is one too— just one more thing
that happened. 

Go to Sleep Sonnet / Lindsay Illich

For Hazel

We affixed a paper bat swarm on the front porch, 
the smaller ones near the bottom, attenuated by distance, 
with the larger ones near the top. It turns out, 
depth is fairly easy to represent. We had a moment 
this morning when you refused to help clean up 
your toys. I tried everything: hand over hand, 
taking away preferred activities. You were not having 
any of it. I swept the hall and the kitchen. The day
kept going. There were towels to be folded.
D. unclogged a commode. Shit was real.
It’s dark. I’m accounting for the hours the way I do,
alone in the soft glow of a machine. You are trying
to get to sleep. Remember what we said last time?
Imagine you’re the fog, settling in the hollows. Now lower.

Hold it in / Row Light

Clipped breath in the bubble gum fuck
I used to think I could hold my breath forever in the space of one unpopped pocket
And I’d store my forever where you can hear the wind whistle through a stale kernel, where the machine’s metal bottom heats each piece into a cicada shell salted on the sidewalk
and each crunch lasts a minute and thirty seconds

Closing around this possible moment something pulled at me like the too tight strand in a high ponytail
Or a knot at the base of the skull that never seems to come unrooted, strains during neck rolls, threatening to snap like vital ligaments with the pain it boasts
Though none of the organs would suffer its elastic cut 
And breath would still crystallize in so much disconnection

Over Seas / LKN

There are estimated more than 10 million Filipinos who are working outside the Philippines. That’s around 10% of the total population of the country.
there are boxes
stored in my body
packed in the i love yous
my 4 jobs every day, makes
it doesn’t tire to sleep
3 hours daily
it’s a routine to shackle time
longer than the dreams
i dream with my children
they’re everything to me
western union would know
the tears i send to the east
under each exchange rate
i exchange moments
of not graduating from bills
the check-ups of real estate
being a missing parent
taking care of others’ children
not being the hospice
of my own parents
building roads, bridges
while my nation is aimless
they call me a hero 
being the filipino diaspora
of being too away
sacrifice will suffice 
abandoning embraces, kisses
that i also deserve
but i had to serve another family
another company, another country
i’m homeless, helpless
if i could choose, i wouldn’t go
but my citizenship, had to ship
me closer to be a slave
of saving photographs, vidoes
zoom, emails and phone calls
that’s what i’ve turned to
a scheduled family member
that people would remember
when my courage should remit
submit that i’m a payment
to our poverty’s debt
i wish i was free to be welcomed
never to be a flight of being poor
where my luggage can’t gauge
the birthdays i’ve lost
and coming home for good
means i’ll be in another box
to bury me as a forgotten
who never forgot them
by forgetting who I am
so they can find who they are

On Ancestry / David Maduli


guitar: your hair unbound
bass: will be here, under the pavement, waiting for your fingers to grow
trumpet: nothing but your voices on the ramp up to the playground   


those words that get stuck in between teeth
need a length of waxed thread
running water
a tongue to run over the ridges
to say what needs to be said


when the soundtrack’s so loud i jump. don’t worry, i’m ok. when the scene is sad i might get sad too. got my own seat, my own knees to hug. just sit next to me so i know you’re here. when it’s dark, screen is bigger than i thought a screen could be. when the camera pans feels like i’m falling. on days when i’m quiet, if close my eyes it’s like this. except i can see further in all directions, and my heart is what rumbles in stereo surround.


integrated roll cage safari
steel wheel bench seat four
wheeler zebra for off-roading
through your imagination


a bouncy house can be a trite metaphor
for the tumbles and bumps
and laughs you’ll have along the way
but let’s not make it that
just take your socks off
don’t try to stay on your feet


Those Old Romans Knew a Thing or Two / Aline Soules

Wandering the Colosseum, the guide drones on 
about gladiator fights and battles in the arena they flooded
from the stream that once ran on the site.  

The little boys are thrilled, imagining themselves 
as gladiators fighting lions, or captains commanding ships 
in epic conquests with steam cannons and fiery cannonballs
made of clay and filled with Greek fire, an invention
of Archimedes.

The boys don’t care if 9,000 wild animals were killed 
during the inaugural games, or that fire destroyed 
the upper levels of the amphitheater and earthquakes 
regularly rocked it, the worst in 1349 when the south side 
collapsed on less stable alluvial terrain. 

So what if the tumbled rubble was reused to build
palaces, churches, hospitals, and other Roman buildings
you can find today?

But that’s where the miracle lies. Wily Vitruvius knew 
to make mortar from lime and pozzolana, volcanic ash.
He didn’t know that when seawater percolated the cement, 
Al-tobermorite and phillipsite formed to strengthen the concrete 
over centuries. 

We gave up on that concrete in favor of speed, making it
with Portland cement, not strong enough to hold without rebar, 
good for only about fifty years. We’re still trying 
to recreate Roman cement and haven’t done it yet.

god the bait / god the switch / Jess Tower

they despise like they’ll suddenly split 
from the established mirage the only 
important the most distinguished new 
testament o sympathetic coldness
what they are not: faithful friend
and sometimes eyes already know charm
and sometimes eyes are all influence and oils 
all angled water          His first top His first bottom
were sewn into moment and yet He pities you
o powerful o wonderful betrayed fumes
His initial weakness will end His life

Day 25 / Poem 25

First Born / Hannah Eads

First, born out of august heat, 
one expects a life of sparks—
circus tents, beasts
and the pressure to entertain
First-born; a clot; 
a penny; weeks;
profundity out of 
pure momentum at first
Born—the material acts
as kindled firewood.
The writer sees herself
in the flames and begins 
a dance begot centuries ago

Where do you live? / Lane Falcon

Behind my heart 
In its nest of veins 

or are you weather 
native to other people’s brains 

and not mine?
Are you the ghost 

my spine releases 
when I twist my torso

and all the little joints 
pop open

or are you the confetti
when I rub my eyes, 

the indigo room?
Can we measure you 

with time, or are you
that too: 

The ribbon, the reel, the hole 
in the middle, the space. 

Saturday Sonnet / Lindsay Illich

For Renee

H. helped me arrange the cockscomb and pumpkins on the porch.
We bought them this morning from Eagle Farm. She was studious
about it, running her fingers over the bumps of the knuckleheads
and the sharkskins of the fairytales. I didn’t know there were so many names 
for pumpkins. Now we’re the ones, far flung who barely ever get to see 
the family. D explained that just because heavenly bodies in the heliosphere 
don’t orbit the sun doesn’t mean they aren’t affected by its gravity.
On his break, he told me that he and two other kids were the only Americans 
on his conference call. He is representing Laos. Sometimes 
just writing down in very specific details what is happening
is a revelation. Later, H. attended a tea party with four princesses
and Spider Ghost. She wore her Black Power Ranger costume.
The tea was warm watermelon juice. I am so thankful I get to do this,
to sit in the grass with royalty, watch a bumblebee settle among the blades.

Doom Juice / Row Light

Hands loose noodles and
the predictable fixtures of a long night out
while I tryyyy to tap that wiry part
the red and blue confusion tied to words
But without a sugary post dinner palette cleanser I’m aching full of punch bowl and pumpkin cookies with white chocolate chips swallowed near whole as I planted myself at one end of the party and changed my face every few words I was meant to have heard

You / LKN

i know grief waits
in the last corner of may
listening to carpenters
springing the nails on a coffin
buried in years already
no one gets over death
when it’s close to you
losing my superstar
i’ve said goodbye to love
that love of rainy days
and mondays. silence 
there’s a kind of hush
only yesterday can remind
my sweet sweet smile
is a solitaire of a masquerade
that collects my tears
like mr. postman would
wanting to be close to you
with each memory, parcelled
we’ve only just began
recollecting lament
it meant the end of the world
is a ticket to ride misery
every time i say
i can’t last a day without you
but sadly, i do
the jambalaya of existing
is just a sad reminiscing
i’m caught between goodbye
and i love you
the crescent noon
is a reason to believe
now… i’m a desperado
all of my life—i’m a piano picker
unable to leave yesterday behind
oh grief
it’s going to take some time
to be close to you
embrace your melodies
someday… for all we know
all you get from love is a love song
and we’re all singing
even when we’re still hurting
have you sang these songs too
or… have they sang you

The Death Nurse / David Maduli

Just as abruptly as the other
Nurse on duty left excusing herself
Into her jacket three hours before end
Of shift, she arrives sizing up
Bed and floor space cluttered with
Equipment and supplies. Let’s see here— 
To the left two stands tower heavy
With pouches, tubing, pump devices
Resembling digital soap dispensers.
These aluminum and plastic trees
Hulk in the space casting long
And viscous shadows. Noting the lack
Of additional branches, she wrestles
A smaller stand from the room next door,
Recently vacated. The cleaning staff had
Rolled through with an industrial floor scrubber
The size of a freezer chest. Ratcheting another
Pump to the stand is constant shuffling
Clicking and snapping. Unruly straps refuse 
To adhere. Finally in place, she fiddles
With the console, buttons beeping and 
Blooping. Oh the port, no wonder—
Now to her liking, she peels the pre-
Printed label sticking it to the machine, in
Arial Bold letters: Morphine. Ok good, that’s good
That looks great— Turning, as if just now
Seeing the family members watching 
She starts slightly then offers Oh! Can I
Get you some chairs? Might be a bit. All 
The pumps now toggled off except 
One, the forest of poles and tubes shrink 
Into the walls, through the window wind
Ripples the row of melics on the roof.
The pump hums and ticks faithfully, she
Pats it and says she’ll be right back.

Summer’s End / Aline Soules

The summer unfolds. I bask 
like a lizard in stretched-out chair,
sleep, read, drink iced tea
from a wet glass.

My son turns a year older.
His party sparkles with balloons,
sprinkles on cake, candles’ light
blown away.

Daylight turns to gloaming.
I fold the summer closed
and store it for a bitter January day.

Like a treasure in my son’s pocket,
I will pull it from a secret corner
of my mind.

In late evening, I will open it like a jar
of home-made peaches to savor 
with the dried bittersweet
I keep in a faded vase by the fire.

Your Diabetes Robs / Jess Tower

your laughter & songs
            & work
the way my poems 
            brush your cheeks
the nice weather
outings together
your years 
            our time
my fears
late nights
the sunrise
whispers of
your money
energy, both yours & mine
lifetimes &
even tears

Day 24 / Poem 24

Solace in Submarines / Hannah Eads

underground, the heavy rain
pummels our overhead windows 
and it is like I live inside
a kaleidoscope like the only way 
to view the world is through
its own distorted reflection

I knew this day would come
when the rain heavied
and ceased to give out
threatening to crack the glass
my wet windows now barricaded
with a black steel shield

soon the dirt will swell and
I’ll not imagine bodies
floating by; the house will rise
and buoyed only by the will
to go on, we’ll submarine
the newest oceans day by day

Tequila with A / Lane Falcon

out that door,
all the tentacles I attached to it 

snapping backward, 
smarting the thoughts 

right out of me.           
So bless that one 

dizzying second 
before the slamming 

shut and the taste 
                                       It happened 

Take Me Instead – A Golden Shovel With Lines From Ada Limon’s “The Last Thing” / Lindsay Illich

For Dobie on his 15th birthday

After E left, you and L & L when upstairs to your room while I 
stayed downstairs to babysit H and the puppy (who I can’t
get to stop barking at every little thing). I think it would help
if the curtains were up. I brought home pizza and wings. It 
was 47 degrees this morning, and I was feeling smug, so I
looked up how hot it was going to be in Texas today (98). Will
you need me to take your friends home later? That’s fine. I never
heard back from you about what you want me to tell people to get 
you for your birthday. Do you remember that summer fighting over
Nerf guns with your little cousins? They were hoarding darts and making
you upset. I said, they’re just kids, and you said, But I’m a kid! Everything
feels so all at once. The night the house burned down. So much smoke. Such
intensity. When H & I made it to the neighbor’s yard, there were a 
few seconds I thought you were still in the house & I was yelling as big
as I could make my voice. I was calling God. I was making a deal. 

Currently / Row Light

Questioning whether I’ve ever had good taste;
I thoroughly enjoyed Lindsay Lohan 
in the Elizabeth Taylor biopic

Even knowing it’s terrible green screen Italy gave the bare minimum,
all the paps looked CGI
(Though, at least they had the etymology for paparazzi in play
so the audience learned this slang for mosquito)

Lindsay gave the role her all —
every accent she picked up partying or dealing peace or making candles 
between mainland Europe and Ibiza
(Well, Lohan Beach Club filmed in Mykonos, but needless to say, the vibe was scattered)

Violet color contacts did their work,
the lip and cheek fillers, either prosthetics or Linds true to life, executed Taylor’s own mods to perfection

And the confused look on Lindsay’s face throughout felt truthful and sad, 
while her sobs seemed summoned from a deeper place, spent in Store-Brand Richard Burton’s paper arms, 
nearing convulsions as he continued 
giving nothing

But Linds found her chemistry wherever she could get it, 
so we believe this desperate love she’s left everything behind for 
(Including Debbie Reynolds’ misplaced husband)

And no one in this movie will give anyone a damn divorce 
and Sybil, Burton’s wife, is about as appealing as I imagine the von Trapp’s governess was before Maria 
(And yes, that’s Welsh versus Austrian, but we’re still going off vibes alone here)

Then came the Liz Taylor my generation knew better — 
divorced twice from Burton (et al.), 
hair stuck straight up like a full-headed baby,
her signature eyeliner embellished with that 80s blue-green
the face unaged by 52 from Linds playing Liz at 29,
her mother, in most rooms with her, also time-capsuled the same

Then Burton hemorrhaging at 58
Liz fainting at the news, 
skipping the funeral for all the mosquitos, but visiting the grave sometime later
(Where we wondered if she slept there all night long, a la Heathcliff)

We returned to the couple’s breaks in the fourth wall,
the shot, chest up on 29-year-old Liz, Burton in the dark by her side,
both sitting in those director-looking chairs 

Liz left to narrate alone now, 
I feel like I could cry — 
but Burton’s back for the final shot 
where they hold hands and I forget 
ever missing him on her behalf

After the film, I read Vanity Fair about a letter Retail Burton sent Liz just three days before he died in real life
(I don’t remember this from the movie)

It said something like, “Home is where you are, and I want to come home.” 
And then I do cry.

contTAGion / LKN

the imposter is real
i’m the syndrome
of triggering myself
shooting like a virus
being the blank spaces
of scribbling pride
like a poetic device
that breaks down
my cogs are chromosomes
xed like an axed genome
metaphored, metaformed
to like a prize to be won
by dying by-the-inhale
being hailed as a loser
in a diagnosis of an elipsis
going on, and on, and on
i wish i can it turn it off
the claps, citations, wins
are expiring vaccinations
when i expire a breath
on a page, a stage
inflicting a stage 5 disease
injected a paige of lies
the milligrams of privilage
privy to my hallucination 
the scent-tenses
populating in my stanzas
of pretending i’m good enough
i can’t be—i’m cram-filled
the crumpled convulsions
are cons, constantly
coughing out, copping out
undeserving—serves me
i quarantine compliments
it’s a pandemic to cave in
19 is when i mastered shying
away from each knaves
that doesn’t saves the victims
living in my terminal body
raving—have short lives
the applauses are conditions
mimicking a booster shot
of a fake-fuck oxymoron
it’s really a paradox of rejections
i write off in my poetry
i’m a negative
are you positive too?!!

Dear Horizon— / David Maduli

You, beyond the furthest reach of vision
Forward pause forward stop rewind
Universe breathes and stretches
Inner truth outer dimensional
Border without borders
Spinning stillness
Original line—

Morning robes you in a coverlet of down stratus
Slumber late into Saturday with Mt. Diablo’s treeline

Are you Openness
Or Consciousness?

Are you the border between what is known and unknown?
Or are you the checkpoint?

Do they know how much you love to dance?

Freudian Dream / Aline Soules

After La Persistencia de la Memoria, Salvador Dali, 1931

Who can forget his drooping clocks, 
time as insignificant as a wet rag?  

We struggle through the exhaustion of raising young children, only to look back and see the days have passed in an instant.  We watch the clock hand inch around its face until we can leave work, but our vacation slips away in moments.

Physicists question the existence of time, tell us it’s an assumption we’ll find only in our minds, or that it might not exist at any level. But causation remains, the sense in which one thing can bring about another.

If we drop a plate, it will break and if it breaks, 
we will be short one dish for dinner. Acing an exam may secure us a better place in college. Interviewing well for a better job may enable us to buy a better house. 

The mortgage payments will be due like clockwork, enslaving us to the thing that may not exist, despite the brilliant Dali who induced hallucination to reach his subconscious while painting. 

Surprised and terrified by the images, he rendered them as he saw them, even if they were only dreams of a landscape near Port Lligat, its rocks lit by melancholy twilight, an olive tree with cut branches and no leaves.

In the Museum / Jess Tower

I step forward & the little voice, enriched
with recorded faith, tells me stories both
plausible & profound. Suddenly, 

I’m being printed onto canvas; eyes swirling – 
I’m concerned about so much glass within 
this room of art, this room of marble. 

Pink hands & pearly mouths. Coarse human 
souls etched into being – indelibly carnal.

The earbuds catch, pulling me back, though 
some say I still remain there, consciously divine.

Day 23 / Poem 23

Animal / Hannah Eads

Great gushing black clouds
Across the brow of my city
All trees sideways fingers
Pointing in the wind
The same figure from your
Dreams standing in front of you

And he is bent crooked

Scraping up the pumpkin
With a spoon, you remember
It vaguely like your own birth,
The husk of human body
Sweating into the couch 
Forgetting each and every value

And the light bent and blinding

Until you seemed to burst forth
Sweeping up the hallways
Burning candles, baking
Walking miles for groceries
This new blood like gasoline
Prey scent floating on the breeze

Smoke Box / Lane Falcon

What kind of resignation would that be?
Fuck [‘ve dreamt it—backtracking to how, when 
tasting the smell: enfolded by that paradox: 
I know not to create an addiction.     Do you now? 
Wouldn’t it take less than a day for you to set the old system 
back up, guardrail your life with addiction: 
pass through TSA twice just so you can smoke 
outside the baggage claim during your 
1 hr. 15 minute layover. Wouldn’t it take less than 
one second for that switch to get flipped, 
by a boyfriend or by your own dumb hand, 
just wanting to see what’s in this room.
Just for a second. 

Ephemera / Lindsay Illich

         For Dana

C stopped at my desk on his way out and told me that no teacher
had ever once written great job on any of his papers. It wasn’t just
that the rain had stopped for the first time all morning or that I was thinking 
about B’s pink kicks against the spokes of her new bike. It was just.
In my grandmother’s teaching things, I found an answer key to a quiz
on logical fallacies with some of her handwriting in red ink in the margin.
It said, you never loved me the way I wanted to be loved. I was floored.
It’s raining again. Do you run in the rain? Sometimes when I’m running
my breath settles into a rhythm that reminds me of writing, the pavement 
an empty page. I can almost see them, the words. Why didn’t she just tell him?
It’s almost dark. It’s your birthday. I’m thinking about ephemera.
C. is writing his first draft about moving from the Dominican Republic
when he was nine and learning English. It’s still early. There’s still time.
Time enough to love and be loved the way we always wanted to be.

New love is / Row Light

Sharing everything but a shoe size,
and even then, taking turns Goldilocksing 

Falling asleep still on the phone, mumbling awake into a quiet 4am 

Missing the knitted dinosaur, holding vigil with a Valentine’s bear

Repotting plants, untangling their roots to grow again

Forgetting everything and hours and days 

Marking time by Sunday afternoons

Looking too good to make it out of the house 

Rescheduling plans to do more nothing

Keeping two to-do lists in solidarity 

Remembering their medicine before your own

Meeting at the middle bowl of porridge 

Finding their hair alone in the shower 

Writing shitty poetry or nothing at all

Letting old heartbreaks spill across pages you reread together 

Phasing embarrassment out of meaning

Always meaning to copy keys 

Feeling like nothing is too far to walk 

Needing reminders that the world is on fire 

Wiping their tears before your own

Catapulting with mid-life vigor 

Earning nothing when the work is worthwhile 

Forgoing the work to sing them to sleep

Knowing everything is just right

Who is Playing Who? / LKN

the cigarette smokes me, like how nicotine makes a child take in a gift. wrapped by lips, too blackened—feeling like christmas has a death between a huff and a puff.
addiction is smoking: hot! hot! hot, like a commodity that sucks me like a loss. it wanted to be lit and sit—beside my jaw, like how a dawn kills time. it feels good
to make sunrises welcome a cheater—it’s branded cheaper, than my own cough.
it’s not tough to hold my lung like an ash on the glass, touching a singed finger. oh this stick, sticks! it kisses me like a lover, with a fervour to die with a swivel of my tongue. isn’t getting burnt by the second, a sign of love?!! i do love myself, but i think this pile of tobacco loves me more. so, it flicks itself away. apparently… the floor is a better addiction, than smoking me. being enlightened that it can’t grow older than my age. it’s not a waste to erase a circumstance, it’s just a substance. besides… it’s just one cigarette, from the many. i have a pack to unpack me.
light, anyone?!!

Looking for parking by the school and seeing five students walking away from school / David Maduli

You make eye contact with the tall sophomore, the only one you know
By name. He lightweight allows a flash of guilt to cross his face
But mostly doesn’t give a fuck. As you roll by he and the four girls do not change
Their pace or their direction or their demeanor, a singular one
That projects confidence mixed with nonchalance and a tinge
Of smoked-out sluggishness, no judgment. When you arrive
On campus the news is that eight or nine subs are in classrooms
To cover sick or tired or resigned teachers. Same situation as yesterday.
A couple students approach a counselor with transfer slips
Asking to be moved out of a class which they like but can’t deal
With the cacophony of the rowdy majority. From a window 
You see a lanky boy boost his frame over a 15-foot fence with ease
Adjust his Jansport and Beats and set off in a mellow shuffle down 
The same street the five friends this morning were on. After school 
Staff meeting topic is How are we keeping kids in class? Debate 
Ensues over whether or not to have all teachers lock classroom doors 
When the bell rings and sweep the wanderers and dilly-dalliers. Sweep 
Sweep sweep dusted crumpled trashed barred locked out 
Walked out education.

After the Funeral / Aline Soules

Champagne, hors d’oeuvres of salmon mousse, fried calamari
chicken salad in fried wontons, all chosen by the woman
we buried that morning.

Remember the party when someone said ‘oops,
I lost the jello’ when she was unmolding
the dessert she’d brought and it slipped down the drain?

Judy was thrilled. She hated jello, wouldn’t eat it on a bet
but didn’t want to say so.

She would have loved her own party.  Good food, good wine, 
the closest of friends eating off her best china in the home 
she loved.

Remember when we drove to the beach in that rattletrap
model T she insisted on keeping going? How it broke down 
on the road, no one had a part to fix it, and we slept 
on the picnic rug on the beach. We forgot 
about the sand fleas until they bit.

We told the stories Judy used to tell, shared times 
we shared with her long into the night, reluctant to let go 
of her voice, so strong it came through the night over z

and over, even after she’d gone.

Losing Words / Jess Tower

A complicated issue: I need to write a poem,
but I have no words. Overdoing exercise
with functional neurological disorder 
plus this weather plus my cycle – a very bad 
combo. I’m hobbling around again –
can’t will my legs to go correctly –
at least I’m not using a cane this time.

What’s funny is I thought that was all
of it – that maybe I was cured from this
from my treatments so far. But FN
is a wily, sticky thing. It knows no boundaries

& like my chronic pain, can creep in whenever
it pleases. I feel like I’m a river overtaken by 
an ocean – I slipped too far away from peace &
the safety of my comfort zone & wound up here, 
suffocating in myself.

Though walking is hard, words also aren’t 
coming as fluidly(?) to me – wait –
what’s that word again?

Day 22 / Poem 22

Protection Spells / Hannah Eads

I’ve this cinnamon stick and
For it to work I must believe in it
The incense too and every ash
I broke into my secret stash
Fixate on mother images, red 
roses on a dark dress, skinny legs
Find a glass container, crystalline
To keep us kept and bodies clean
As we stand sideways from antagonist
Pass us over as if inanimate
Protect us from these earthly aches
So shall it be, by the nights and days

Adult Child / Lane Falcon

My own mother, that day at Dairy Queen
when I watched her lips close over the top
of the chocolate-dipped ice cream, her eyes slide
to the side, my own echoing, a bell in my chest

and I knew I couldn’t trust her to keep me from
that shame knew inside of her the hollows
the red— saw it rise up from her

Afterwards, I thought about that moment time
to time and felt naked,
a burning behind my sternum
I could only swallow

Remembered it when I needed to see her as
other than mistaker, denier
when I needed to see her also as a daughter
a loved girl possessed by her own shame,
desire to go unseen.

Besser / Lindsay Illich

         For Jessica

Last night Hazel told me she wanted to go on a date, and I asked her
who she wanted to go on a date with, and she said, food–no wait, dessert. 
I wondered about her future. I wondered about mine. We made eggs. 
Eggs were our future. I’m tired of making things
so complicated. What I love about Nebraska is getting to the top
of the hill by Saint Charles Church and the whole valley opening up.
You feel bigger somehow. Expansive. Do people still call you Besser?
I loved calling you Besser. Saying it felt warm. Like I knew you better 
than I actually did. I saw the first bit of red in the trees
along the parkway today. I wanted to cry. Because the next thing
you know our girls will be gone. It sneaks up on you. First a few leaves 
then it’s like that thing they say about going broke: slowly,
then all at once. But for sure there will be at least one daypeak season,
the gold stunning us into forgetting how fast it’s over.

After the Flood (cont’d) / Row Light

The pages waterlog into the damp kiss on my pinky cushion,

the place where so much lead had smeared its blurry story, 

evidenced my worthwhile clenching
the tool that changed me and my page.

I don’t have a place for soggy odds and ends,

You’ve Got Mail pencil bouquet 

the water pitcher you called a chamber pot

new imposter laptop extra sensitive to my frustrated touch

its instructions pleading for surface space beyond these flat thighs, 

fearing that microwave misnomer about frying my unhatched eggs.

Wrinkle on the Ridge / LKN

by Gotcha Gaios – Argentina
concrete—faints behind the war of my eyes, as bombs built homes out of bones, now stuck in the sirens, shading a city, turned into a nomad of burnt madness. i stood there like a vessel of an era, waiting to be put down with a strike of the waves that made us dead. i wish my vision of the japanese invasion lied like a good propaganda to destroy independence. the slavery of fire wasn’t a delusion.
people will not believe me: peace constructs forgetfulness. it’s been 81 years since i was 27, and the colors of rubble are still building under my blinks as that war collapses my memory. i’m fond of history, living in them is a story writing the books that sits in my study.
i did study that day, being a young lawyer on a new case. apparently i had to review if i knew nihongo—as i saw suns that day, falling at dawn on my face. emanating a sunshine of lost dreams, rippling the shrapnelled screams of my consciousness—insanity was logical for the japanese. they depressed my jaw as language set the radio in our open city. swearing in español was my coping mechanism.
much like the wheelchair, that willed me 2 decades ago. learning was a cycle that painted me red. graduating masters of laws at 89 is close to rebellion, my wife was my greatest accomplice and loving her was my greatest accomplishment. auring didn’t just share our family of 7, but permitted a lifetime of joy of wooing her every day—a chance to serve. she was my church.
i meant to marry her, but that 8th of december was swirl of a choice. resolve had a voice in me to be in a union of vows, like a liberty committed between speeches and warnings. there was a warning, but the explosions felt like a eureka of contentment—i was still alive. Unlike the blur of grunts and the smudged wails of casual causalities, that roams my country. the flag of missing numbers was my only solace—knowing i can still love, live for this nation.
that banner still hangs on my bedroom, like a memoir of how i was a hope, the green shade that waves my people’s determination to be ever free. it’s 2022, and my recollections collects freely the flashbacks that will leave me behind. as i take this breath, gratitude is as clear as the foundation of my goodbye.
tha… nk
                   y… ou….

Ode to the Ollie, Landing on a Line from Teju Cole / David Maduli

the first scrape and drag of the
board’s tail is a striking match
one motion to get two feet to griptape
four wheels from driveway to
deep space street
enough vibration between rocky asphalt
and polyurethane wheels to circulate
blood from feet to fingertips to cumulous clouds
from the bottom of the hill sounds like a strafing
curb is a looming island
gather spirits from pine and aluminum
pop of the tail is the sidewalk’s
fingers snapping
lunge at the cracks in air
above the white granite rock lawn
disappearing into the fence
the day offers no shade or shadows
each morning is the beginning of a summer
heavy waters above and flowing waters below

Early Morning / Aline Soules

those early morning hours, in the winter dark
with the whole world to myself, or when the promise
of a summer day shimmers in the dew 

those early hours were precious when my family was safe 
upstairs sleeping and I could wander at will, my boots 
crunching new snow or bare feet in the warming grass 

when our son was small, my night-owl husband and I
covered all twenty-four hours of a day between us,
learning the value of two parents for a single child 

morning ended as my husband’s three alarms blared, one
under his pillow, one on the side-table next to his bed, one
on the dresser on the other side of the room as I woke him 

in my late years, morning is still my best time of day. Living 
further south than I’ve lived before, the contrast between winter 
and summer is less extreme. I get up and sit outside to write 

I picture death coming at 4 a.m. I’ll wake, barely, pick up 
my night-time book or go outside to write. The words will no longer 
make sense. The letters will leave the page and I’ll follow.

The Princess and the Pea / Jess Tower

Day 21 / Poem 21

The Graceful and the Fruitful / Hannah Eads

Hannah says

I weep without children
filling buckets as prayer
so that a new river might form
so that I might irrigate this soil
claw a new path inside me
Oh God, so that he might
walk the path inside of me

Lilith says

I weep without children
sent sleeping to me by boat
they’ve never dreamt, I fold
my wings over their eyes
so that they might only
wake when they are wanted
Oh God, another day unshackled
and restless beneath this tree

The Escape / Lane Falcon

I haven’t gone back to that place— the vacuousness
I felt while they dripped fentanyl into my infant son’s bloodstream
back when he couldn’t breathe without a trach. How I’d go
on a panicked run every day in a city where opioids reigned
and see men falling to their knees, women freezing under the overpass.
In the waiting room, after his second airway reconstruction surgery,
a grandmother cried, her daughter just dead from overdose,
unbeknownst, her grandson waking from general anesthesia.
How fucked up it felt that night when I begged the nurse to hurry up
and give my son more, enough to slide off the tip of a needle,
dull his pain or mine I didn’t know, the fear I saw open in his eyes
when he first woke, the lone crystal tear. How small a unit
they lent. How small the graces we get, how incremental,
gradual then sudden when we are rowing in grief. I remember   
making the same joke to every nurse who arrived, pulling
a little coffee creamer container full or drug from her pocket:
I’m the one who needs it. I remember imagining shooting
it back. The thing is: even then, I didn’t want to forget my misery,
I wanted to hold onto it, keep it close, so it couldn’t sneak up on me.
The pain, I guess, had something it wanted to teach me. 

Mama Sestina / Lindsay Illich

      for Colleen

So you want me to write a poem about you. What you ask is impossible.
It would be easier to write about hot dogs or fungible assets. Here’s the deal:
the great poets at some point have to rebel against their main influence, their agon. 
And babe, you are it. Like I hate you I love you teenager I see through your
bullshit, it. Here’s what I know: I am forty-five years old and have never gone
to the grocery store without a full face of makeup. I have spent my life in mirrors.

Which is the hardest thing, because self reflection is all about holding up a mirror
to see yourself the way others see you. The task is painful, almost impossible,
especially lately when the face I think of myself as having is almost gone.
It happens so fast. And it’s totally unfair. After everything we have to deal
with, add to it a self worth we learn is about beauty that ends up being your
downfall, a house of sand. Listen: I’d rather be beautiful that be in agony–

but also, I’ve learned the hard way that beauty is its own kind of agony.
You start to think it’s why people love you. And then it’s about mirrors
again, because you’re afraid of losing them. And then you’re 
trapped. Because time is a real bitch. Beating her is impossible.
Being alive means understanding a body is a blow you’re dealt.
And I’m finally (finally) beginning to believe that it’s better than being gone.

Besides, everyone who is going to leave you is already long gone. 
You can relax. Just think of all the time you’ll save not agonizing
over an outfit. Here’s the thing: loving someone isn’t an ordeal
to survive. It’s the only thing. Here’s another: behind the mirror
is a door, and the door is freedom. Or to put it Emily’s way: possibility,
just dwell in it. Just, you know, you do you. Do your

thing, Emerson says. I’m finally starting to really understand you.
It only took forty five years, even though I still don’t think of myself as grown.
But I don’t think you think of yourself as grown, either. What’s possible
is that no one is who they will be eventually. I can’t wait to see you again.
For Christmas, I’m thinking we should hang lots of those mirrored
disco balls. We can wake up early and make a fire, drink real

hot chocolate from the Santa mugs from Dee’s house. The ideal
morning. The house still sleeping, the morning still dark. You
are beautiful. The light from the fire flung like dialing stars, a mirror
of the night sky in time lapse. Which is how it feels. LIke almost gone. 
Like I can feel it, the precarity of it all, of you. It’s like agony.
You want me to write a poem about you? Mama, that’s impossible.

Universal/Consumed / Row Light

I’d love to chat sometime 
On what’s been bothering me
In our classes together; 
I need to bring up

Sometime, vulnerability
Demanded at a level
Surpassing the care
With which new material
Is read. I’ve recently felt 

That being queer
Puts the missing key 
In my pocket,
But we’re all trying 
At different doors
And no one wants to go
Where I’m going 

I also understand 
That writing requires a level 
Of exposure,
Reading and combing
Through unflossed work

But must we
Push harder than need be
To find that nugget
Of truth at its core?
(Though everyone knows 
It’s worth the most)

In dealing with intensely
Personal subjects
It matters if we’re ready
To be invaded

The story otherwise
Becomes desensitized  
To its own therapizing
Whether on the couch or off;

Dichotomy of pizza crumbs
On tile, between cushions
We decide, presume,
When it’s polite to probe,

Past polite or possessed
Of appropriate mind;
Who do we answer to
When we get it wrong?

How to undo 
undue distress
In relation to 
A painful past 

Shots, Fired / LKN

drink my borrowed skin better than your sin
let every gulp slide, your guilt set aside 
imbibe a youth’s grin, your conscience will spin
respect is a stride—a dollars-worth bride

visa is easy, when age is dizzy 
legs can bend its curve. i’m ready to serve
like a colony, swigged in makati
red-rigged to deserve a foreigner’s verve

as neon lights blur, law becomes a slur
i kiss your paid night, my tongue will incite
a frosty-shoot stir: three-hour offer
turning right is my right, sogo is in-sight

deal is in motion, like my free nation
i proceed with caution—high, exploitation

Ledisi at Café Du Nord / David Maduli

     — San Francisco, circa 2000

it’s half past late on a school night when she takes 
the stage for the first set at times wailing like chaka, 
touch & go chopping like a certain syllable count must be

met before the night or she expires. the oakland drummer, 
sixteen years young, keeps up with her like he was born to 
& the rest of the band called anibade locks in easy,

been jamming here every wednesday for months. early 
jitters worked out & sound tuned, curtain closes, 
crowd at the front dissolves 

towards the bar leaving tendrils of neon & sinew 
twisting on the dance floor. new millennium is still 
young, the dj slides from common’s “the light” to lucy pearl’s 

“dance tonight.” look what the cat hauled in, winks dawn
& if there ever was a reason to miss set two
it has evaporated. the dj fades as indigo lights glow, 

ledisi & company are back on stage. the soul-
singer announces, we’re gonna try something, meanders 
into a cover of “time after time” like when you search all 

over for your favorite denim jacket & finally find it
in your best friend’s trunk. the second hand does what the song says, 
gators rouse from tenderloin sewers, the mississippi rushes 

down market street. everywhere, fireflies. cinders. fireflies.
in the hands of the delta, eighties ballad voduns into a spiritual, 
an infinite blues, a most mortal quest: i will be waiting…waiting…

waiting…i will be…i will…will i… she scats relentlessly, dis-
assembling reassembling the lyric turning it endless 
flipping rearranging angles of time. 


on the drive home, lower deck traffic bottlenecks before treasure 
island. an acura upside down against the left rail, lights of the golden 
gate flicker beyond. moments ago the rouge coupe recoiled 
off the opposite barrier & hurricaned through five lanes 
leaving a swath of spun out cars in its wake. emergency crews 
not yet arrived, a stunned driver staggers in the center lane

dodging pendulums. 

The Beat Goes On / Aline Soules

My friend and I remember the queen’s coronation.  Five at the time, 
we went our separate ways.  She watched the pageantry 
on a minuscule black-and-white TV owned by a neighbor.

My family traveled to London. My first time on a sleeper.
Imagine sleeping on a train! It rocked and I felt seasick, 
which I wouldn’t admit, but I fell asleep somewhere on the way.
In the morning, we were fed tea and two biscuits as the train 
rolled into London.  Biscuits for breakfast!

We went to a friend of Mother’s along the processional route
and watched the parade from her balcony.  A gold coach
carried the Queen and her consort.  Cinderella never 
had a coach as magnificent. I was given a flag to wave 
but dropped it over the balcony. No one got angry. 
Someone gave me another one and we waved on.

Now I’m the one watching TV.  My friend’s somewhere 
along the route the coffin will follow.  Drums, trumpets, feet, unison, 
the pounding beat marches the mile-and-a-half long cortege 
through the streets of London.

The long walk to Windsor Castle adds more miles
to the new monarch’s 73-year-old feet.  Perched
on the coffin, the orb and crown remind the monarch 
that authority comes from God, the scepter announces 
the power of the monarch. Symbols first used 
by King Henry VIII at his coronation in 1509.

Solemn, serious, an outpouring of a people’s love for their Queen,
consistency, stability, changelessness, the sensations we crave
gone in an instant, if you believe they ever existed.  

Supper Tonight / Jess Tower

Day 20 / Poem 20

Sick-thoughted / Hannah Eads

These are not my children—
       these are my brains. Venus burns
and she is raunchy in the twilight breeze

Each word is
       a lick on the lollipop, proposing to a player,
totems of indecency: rabbit, rabbit, rabbit

Leaking softly on display
       I first choose the image
       then the perfect lighting

Votive / Lane Falcon

We come to each other bearing 
our little rugs to kneel on and pray 

at the other’s alter
for a moment 

to note the crosses that hang
in one another’s church 

to scratch the match against 
it’s little match runway 

and light the first votive
to love the first light, to bask

a little while in depriving 
our pasts of their power.  

Love Begins / Lindsay Illich

Love begins slight and proximal,  
Edges touching. An eye met with.  

A visit. A leg upon. Love begins  
in singularity: your crown, an orbit.  

Love reaches up, accretes. Our bodies,  
flashlit and tumble and touch and teeth.  

Love mornings and love admits 
a second clutch, a windfall, the full  

throat. Love begins. Love  
begins, again. And that is all.  

Reverse / Row Light

Today I got ‘fucking bitch’-ed 
By an older man on a bike
As I sat in a parked car in the alley by the bar
With plenty of sidewalk riding my tail
And the window cracked just enough. 

White-haired hatred caked 
The last three quarters I had left 
Keeping myself a glass dessert, 
Bell curved toward the place 
Someone drops un-cats on their heads, 
Shatters kissing points to
Teardrop open wounds.

I traced his easy path behind 
As if he might find invisible stairs,
Catch 2,000 pounds surprised, 
And push warm metal to prove his mass.

Shaking his mirrored head, side, rear, side 
He became thousands still muttering 
Behind streets in my eyes.
I rushed to reverse this infinite playback Pedaling as though 
Reflections had never turned me to stone.

I wished at a reason, karma-ed myself for 
Road rage or boyish confusion. 
Splashing through that open quarter
Must’ve been a bare chest to the dry eye Squinting me out with garbled sound 
I wish I’d turned to music.

Hours later, unable to out-clothe distress 
I crunch leather bags for their fractal failings. Finally dial the numbers I need to hear 
That shame in sadness 
Is parking on a Sunday.
We’ll let ourselves 
Owe nothing for once.

rEVOlution / LKN

when i woo
i don’t shout at them
like a filibuster
feeling a bust
in a war of tantrums

when a quickie
isn’t given
i honour the process
love—takes time
it’s hard work
ranting a swear

will get you nowhere 
i swoon not with expletives
to expel the fears
of not knowing who i’m loving
and why i’d be loved 

i profess with open palms
not with an iron first
happiness can’t be given
when my hands are closed
with an unending loss

i gain when i listen
noise can’t be accepted 
like a bouquet of screams
i can’t name myself
converse like a solution

to acquaint hellos
beyound the romantics
intention is my attention
to celebrate an emotion
being free to live, passed

giggles of complaints
giddy protests of getting
answers i didn’t expect
whining like a fanatical cavil
of grumbled conditions

i don’t sensationalize reasons
the w-hues—are propagandas
of how to be a militant ego
i lay down my pride
of rallying my vanity

i seek a relationship
that has no leaflets
no banners, no effigies
of anything i can’t give myself
i’m not a denial

of who i am, what i can do
love is not a sprint
of making myself heard
it’s a marathon of what
i’ve done, will do—for love

how about you
how do you love?

On Ancestry / David Maduli

underwater i will see:
secrets of four generations
the sun, swimming
dive, music, tremble, sing
the floor of dreams my feet cannot touch 
child, there are masks and there are masks. some of them will save you. some will get you 
something you want. some hide you, even from people close. some hide you from yourself.
none of them are you.


the lion siblings are sleeping this morning
their spirits race beyond the enclosure
in the bodies of these two children


dust tamped down by yesterday’s rain 
alates swarm from the steaming hill
trail rivulets into canyon 
hummingbird buzzes century tree at the end of bloom
yes, there will be days like this

what is gravity to a tilted lens?
which potted plants dream of raised beds?
whose fences, tired, lean against young planks?
what is a child’s hand full of yellow petals when it opens?

Lantern Parade / Aline Soules

After The Lantern Parade, by Thomas Cooper Gotch (England) 1918

Rooted in ancient history, people mark the end 
of the agrarian year and prepare for winter, bringing animals down to nearby pastures, harvesting crops, and storing food for the cold, dark time ahead.

The veil between life and death rises, allowing the living and the dead to mingle as the Celtic year ends on November 1.

Dark comes early. Walkers make lanterns. Handmade and fragile, 
they represent life’s transience, reflecting the dying fall, reminding us that death will come someday,  

but not today.  The lanterns offer the pleasure of creation, the joy of parading them. The orange glow turns the girls into ghostly figures in white, color drained from everything but the lanterns. 

The girls walk sure of foot, sure of their place in the world, sure of belonging to a tradition that parades every year, rain or snow, warm or cold. 

Meditating / Jess Tower

Someone told me they saw weed in space the first time.
Space imagery is common, I said. Because how many molecules
must we still in order to still our brains (an impossible task)?
We’re still monkey-brained, no matter how hard we try to reduce
mind to matter. The grove within our brain continues its whispers,
despite. The body sleeps while the mind is awake, my meditation 
instructor often says. They can’t both still – I think, in that case, 
we’d be dead. Will death be like meditating? Or will we finally be 
one hundred percent still? I believe it’s something more 
other-ed & meditation is the closest we’ll get 
to experiencing death, without drugs.

Day 19 / Poem 19

At the edge of everything / Hannah Eads

Hot tubbing under a Blue Moon

Aged alchemical connection—escalation—

Wandering the same planet wobbly

Trying to get better at that

To work at something

To see where we’ve arrived and forget

The frenzy

All time stretched or condensed

at the bottom of a barleywine glass

And not knowing how to ask about it

Remembering caves

Wanting to predict where the light will be

Mastering ways to avoid it

Should probably try shrooms again

Hard to secure what we seek

In a cabin, kayak, riverside—what hides?

A fallen tree limb feels alive

Dusty flowers, missing out

Bloodsucked yet the puzzle stays put

Waits to coalesce—all edges snug and proud

All edges tucked in, as in Fate, belonging

To the space between—beckoning or

solidifying our spots in space

This eternal way we hold each other

Love poem #19 / Lane Falcon

I want you to say 
the words that have vaporized 
in my chest—the negative of them, 
which, for once, isn’t the impassive
but the passion, with all its malignant 
fingers clutching my brain.
The passion that collapsed 
when you pulled the pin. I don’t love you 
right now— why is that what hurts
most? Not the rejection, not the fierce
abandon of the small walls I cobbled 
together, the mock fortress 
to protect those wells of raw hurt
you leapfrogged over. I want 
you to know, even though I miss 
the wilderness of lust— I miss you—
I don’t miss you enough to want to lay 
my head on your chest,
that wooden pillow.   

The Pumpkins / Lindsay Illich

         For Lauren

A year later, the pumpkins had taken over.
R took a backhoe and plowed them under.
That was before he built the easement 
and put in utilities. Before you lost Birdy.
Before you had Penny Kate. I still think of them,
the green vines and orange bellies popping,
the very image of abundance. What happens
when love takes root. It keeps growing. 
Some seasons, there’s so much 
we have to return it to the ground.

Aftertaste / Row Light

My dust meets their dust
tenants past slipping through vents
scraping long gone bed frames across hardwood floors 
in a real estate horror showing,
the first curling fan slicing our midday breeze

You saw the city one time and said, that’s for me, 
but didn’t see the cheese fuck stuck in my teeth, pro forma 
in Parma love, Italian sunrise
kind of drinks with Aperol aftertaste,
while we pardoned the uncobbling roads
their lush avalanche, after all
dipped blistering toes in fountains for wishes, 
requested ten tiny dish towels
to wear on the tops like piles of wet hair 

Near dry by the time
our leather squelch finds the green chipped door 
up the dark gold alley it dares not cross 
the slanted threshold 
in all this sweet gin sweat, 
so we put foreheads to the dusk cooled brick 
probably a hundred years older than we are
and wait.

Insert a Box in The Boom Box / LKN

my childhood
is a mix tape
taping the tapping
perfected goodbyes
bundled like embraces

that would change
jumping from one
abandonment to another
it leaves me with tracks
that tracks questions

answered by punches
the feels of the bruises
rewinding with fingers
hurled like a platinum hit
i’d get addicted to it

i know i can loop it
like my mother, leaving 
fast-forwarding my head
bobbing, jiving on my bed
|like a early suicide can

record—is to re-cord
a five year old
to cry, laugh, being sane
knowing; pause—is a ruse
memory doesn’t stop… whys

it keeps on playing
why i’m not like others
innocence is cheaper
when parents tinker
putting together pains

in a cassette, being cased
set to tune me to remember
i am a bestseller
cut, grouped together
like a compendium of mistakes

given away
like a freebie of miss-takes
that i still listen to
up to this day
it makes me wonder
in the future, when i have kids

should i make a mix tape
out of them too

On Ancestry / David Maduli


truckfull of late summer
stalls in eastbound traffic
gridlock of flames


moments slip
fleece and eyelash
how many blinks
til we are memory


lola’s tree
has many branches
two seedlings to plant
in this fertile soil


the waters of my family
flow down a steep slide into unburied teal


young ‘elua
let the vast oceans
inside you
scrub your shadows cerulean
and gold

Mirror Lake / Aline Soules

After Mirror Lake, by Franklin Carmichael (Canada) 1929

We camped by the lake many times, taking our young son. Every day  brought its own rhythm.  By day, we climbed the granite rocks, rested under the pines, or swam the cold water to the island where we warmed our bodies on the sunned rocks. 

On a still day, the hills and trees framed our reflections in the lake, my husband in his black Greek fisherman’s cap, my son with his wide grin, my face hidden by my long hair hanging down. We watched ourselves until my son rippled our images with his fingers, our reflections disappearing as fast as the fleeting day.

We canoed and fished, gutted the entrails and cooked our supper over a fire pit. If the sky was clear in the day, at night it was filled with stars, stars we could see in true dark.  If the sky was cloudy, the night was so black, we couldn’t see our hands in front of our faces. On those nights, we sat by the fire telling stories—Robert Service, Stephen Leacock, Farley Mowat—
then went to our tent to dream.

Walking / Jess Tower

It’s weird to be able to walk through the orchard 
without much pain – the kind of simple & fun day 
I thought I’d never have again. We’re talking about
how we’ll split the apples – easy, I don’t like apples
on their own, so you guys take them. No. You need 
to take at least four. They’re good for you. Eugenia laughs. 

What about apple pie? You can just bring me some, there, 
it’s settled. Maru doesn’t like it – how! She asks her mom 
to make apple cider instead. But Eugenia doesn’t have everything 
to make it, so I walk alongside them, thinking of apple pie. 

We’re picking apples for $21 – an overpriced way to 
do the farmer’s work, Maru jokes. I take a few photos 
of the contrasting colors – blue sky, green trees, red apples. 
I wonder how Maru can be so sweet for someone who hates 
apple pie. I bet she thinks the same of me: I didn’t say so, but 
I’ve never liked cider. We head back & I take two apples.

Day 18 / Poem 18

Multiplied / Hannah Eads

after Bob Dylan’s “A Hard Rain’s A-Gonna Fall”

And what will we do when the one is un-twosed?
What will we do when the tools have been used?
I’ll rest at my sister’s to heave with the waves
I’ll steer bent over singing to muscle through pain

And what will we be when the cave is found out?
What will we be when the morning clears doubt?
We’ll be solved of our symptoms, of ginger-tinged spit
We’ll be someone, somewhere fully rid of it

And what did it take?
What did it take?
It took one empty night and a road worth driving
It took six hundred plenty of grad party prizes
It took spreading so wide you thought oceans were bluffing
Peering in just enough to submit I know nothing

Loose Legend / Lane Falcon

Rumor is that’s how my great grandmother died, 
a dirt road in Corpus Christi, a horse draw carriage 

the man she was chasing on his way home to another woman. 
Imagine her there, trampled over in her skirts—did she care

she’d bleed a legacy? Rumor is the state of Texas took 
my grandmother’s children away— not the first two, 

one of whom was my father, but the batch after. 
The tuberculosis remised in her lungs, still her troubled body 

couldn’t outrun her mind. Sometimes I know where it landed: 
the frantic clawing, the wanting from a man what he runs 

to keep safe, that settled intimacy, eyes on eyes, the hearth
of iris warming iris. Wanting a contract: cannot leave 

after I’ve given you all my gift-wrapped ruins: this happened, 
then this happened, then this happened. Wanting him to thwart

the legacy of my wanting, or to open and close the door, 
let it in and out like a stray cat, primal and safe. Wanting

from a man, what could only be given by god, that acceptance
of all my mangy wounds, adoration, for him to tickle my back

until I fall asleep, knowing when I wake I’ll be where I should be
where I always was, no matter where, this place, this body. 

I Was On a Boat Feeling Feelings / Lindsay Illich

The night we left, I was on the deck 
looking out at all that water. The water 

we were moving through and the water inside us. 
About buoyancy. I felt free. The sky was orange and pink. 

How we tinder grief for love. The listing, the navy sea. 
The girl on the prow pointing to the first star. 

Remember the hibiscus on the island? We were
taking an Uber and they were on both sides 

of the road, nodding in a chorus. The driver 
said his father used to fry shark liver 

and hang a vial of the leftover grease 
from a tree branch. It would tell him 

what the weather would be. 
And then later the fire coral 

from the glass bottom boat. 
The fire coral waving in surrender. 

Do you remember? 
That feeling like being free?

Late September / Row Light

The thought comes on like a bad cramp,
wondering when I’ll run out of words.
And maybe it’s here, at the registrar’s feet
painted blue six months ago, now a mold green, the sandals veering from ankles like wronged magnets.

I’ll ask one more time, have since given up on CCing her boss, won’t embarrass the pink from the rashing throat, neck, won’t remind her that anxiety and dying enjoy the same gene pool.

We wade together at odds, poorly filtered ends where I won’t be asking her to play mermaids because she’s sloping down that bathing suit ruiner, spackle in the concrete unweathered boulder.

So I weight train underwater just for the compression, the thousand gallon hug,
saying, keep pushing, It girl!

Without shame-pimpled marigolds and tweenage ducks and the mobster in therapy sweating swear words with chlorine, the midday BO gasses up from the cushions and SPF burns and cools my watering right eye.

We both only write when we’re sleepy busy, but I’d blank slate graduate if she’d register these hours, Dewey decimal ants, my queen mattress balanced on their shiny foreheads,

and I’d wave and parade at her from my cloud, announce the next time it’s going to rain.

E-Level / LKN

elevators depress me
the feeling of waiting
for a door to open
feels like a good pill
taking time to affect me

control is ushered by time
like a psychiatrist, to tryst
entrances like gaslighting
elevators do have great lighting
perfect for selfies

that fixes me in frames
on buttons, that chooses no one 
moving-up high, is a lie
a tick to tuck a toxin in me
positivity are the levels

leveling pauses in emotions 
found in my wrist
with numbers that bounds
the needles of time
making me: a make-believe

no one really gets over
the stops, that taps me
“it’ll get better”
the flights force me
thinking… i am gravity 

as the monitor becomes 
a dictator of my progress
kraepelin, wundt, freud, weber
oh… that german efficiency
sliding me in compartments

as mirrors reflect
what i could be, not who i am
like a hallucination, lifting 
in each session of being still
stuck in a diagnosis

of being a dependent
on a prescription to stand-up
looking like a patient, lost
in every beep of an illusion
feeling like: i’m next

to get-off at my destination 
i’ll never arrive at

have you?!!

On Ancestry / David Maduli

after Kevin Dublin / after Giovanna Lomanto / after Aimé Césaire
I come from Bataan’s flamethrower sun 
Searing Lolo as he marched bayonet 
At his back then packed in a boxcar
Concentration camp concertina terminus 
Dirt floor bamboo hut soup kalabaw scraps
Pelagra stew cups of malaria
Officer’s insignia Pangasinan infidelity Citizenship’s promise
Thirty-three months in another prison camp
In another war
I come from Lola’s shout of surprise 
When her husband came home again
I come from Lingayen Gulf blue crabs in a pot
Behind a pandesal bakery I come from a chest high heap
Of snails picked from paddy’s seedlings
Bunching onions in a Monterey County field racing tractors
Wrenches and grease
A bay window on a cluster of streets bent
To form a bell beyond the boundary
Of a tourist map of The City
I come from the fog that has no name. What is a grandchild?
It is saltwater’s arabesque. What is ancestry? It is 
The grapefruit dawn after earthquake 
Aftershocks. What is homeland? It is a poem buried
In the backyard under Lola’s bedroom window. 

Let it All Hang out / Aline Soules

After Bazille’s Studio, by Frederic Bazille (France) 1870”

Nude paintings on every wall or propped behind a sofa,
while the men are clad from head to toe, prim and proper, 
playing on a piano or conversing. Are they unaware 
or is this so normal they simply ignore? One man
climbs the stairs, both hands on the railing and the voyeur 
can only wonder if one of those naked women is upstairs, waiting.

It’s an age-old story. Bazille, Manet, they’ve all painted some version 
of the same thing. But that was then, and this is now, you argue.  
But images on Google reveal the same thing, the women naked 
and nubile, but in this 21st century, sprinkled among the photos 
are naked men and clad women, and naked men and naked women.  
What do you think?  Progress or the naked truth about sex?

Mothering / Jess Tower

I could make grilled cheese & tomato soup.
Do you bake? We could bake something after.
So specifically kind. It feels like creepy-crawlies, but 
also like sunlight. I don’t have to freak out, all alone.
I’ve never had someone mother me because my own couldn’t 
& I couldn’t leave. Even she used to say, “at least you have 
Brianna & her parents.” She also used to say “nobody cares” 
& I believed, strongly, in the harshness of that phrase. 
That phrase was the Easter Bunny & Santa Claus to me. 
(Often repeated around the holidays, too.)

Now, the steam & cheese sit snug on my plate.
I half believe that phrase… I half don’t.

Day 17 / Poem 17

Time & Space / Hannah Eads

People love what they think 
they understand I used to understand 
you only in the way I understood 
myself unidirectionally and 
therefore not complete 
we began to meet again 
after years of no belonging
as flames in the valley 
of a red canyon we trekked 
across its ridges our hands brushing 
whipping up wildfires in the dry heat
you swallowed up the smallness
of what my dreams used to be
now my days feel like
walking through a moving picture
I count the hours til I can 
lie down and drift to you
this is only just beginning:
you and I and all our lives 
our eternal conversation
stretched across the moons
like a black cat

Untitled / Lane Falcon

There is nothing like it
pushing that final stride 
and knowing you’re going to hit before
her forelegs left from the ground,
the hind readies to spring.

The thing to remember: it was never you,
This speed, this gathering under 
this lurching Forward, 
centering her before the first fence, 
then pushing, pushing.

All this was instinct
quick tightening of the calves 
loosening the rein so she could
do what she knows to do 
thrashing her head under her
As she lands, and don’t forget

that last moment—
all four legs lifted from the ground—
where for a second you felt like a god, 
your head light on your body
success singing through your skin

Love / Lindsay Illich

                 for Doris Tomlin

What can I say of it beyond
the words I learned from you:

bougainvillea, day lily, Tex,
pecan, day lily, tea length

colleen, the keys of the piano,
the opening chords of

in the garden, red piping
on a boucle jacket, cigarette

tamale, first down, the way 
you say Mama

when you talk about yours

17 / Row Light

I found an old web bookmark for 21 things to have in your closet before you turn 21 from Seventeen magazine. It was written in 2017, so I must have been 19 or 20,

must’ve felt smushed like so many sweatshirts in a suitcase – breathing through stitches zippering up the side, threads of hair pulled and knotted.

Now I write what zodiac signs should listen to Britney Spears, compare chain hair salons 
And Lifetime movies.
I’m still no Seventeen, 

Though a playwright tells me I’m a journalist, 
Says, hey, they! because I’m publicly drifting between lanes.

Your car has this automatic sensor that kills your firstborn when you swerve, 
So I drive extra slow thinking of our future.

Dine-in / LKN

i bought freedom
for only 50 pesos
served in brown trays
like the skin of a nation

ready to be handed
by 20 million reasons
why hunger is in a burger 
i wanted to be modest

staging a war between
a stomach and the eyes
of others, stating questions
i sat in a corner, away

from the glass, where
poverty is kept outside
while unwrapping the white
privilege around my meal

the scent—is liberty
a whiff of a manifest destiny
to munch a punched gift
opening an independence

from my lisps of lips
to sink my fangs
48 degrees, on the bun
it is soft and hospitable

welcoming my bite
to its juicy and tender patty 
singed in a pacific sun
winning tastes good

like a good lunch should
grinding each fibre
sucking the meat’s every inch
to colonize my craving

this territory of the insatiable
is digested like a wealth
common to accent-tongues
to savour, to relish a dish

unti i’ve swallowed it all
i burped my satisfaction
left anything i couldn’t demolish
i stood-up, unapologetic

manners are not in order
when it’s my right to devour

sketches/studies: middle kingdom / David Maduli

gold:  double-headed leopard’s last 
breath before dusk, almost yesterday 
illuminated on peeling walls

carnelian:  baby coals clear 
a dagger’s path, feathers inlaid on 
a sleeping phoenix 

feldspar: every luminous crystal color, every 
color crystal illuminated, color 
every crystal 

lapis lazuli: ocean frozen into beads on the neck of a goddess, cobra’s belly twisting 
around the wrist of tomorrow

Bliss / Aline Soules

            After Time to Dance, by Nikki Basch-Davis

When the body moves by itself,
and the rhythm of music permeates 
each atom, the atoms align – body, guitar, 
dancer, air, world.  Bliss so intense 
you can hardly breathe.

When you stand halfway up a mountain, 
stare across the tops of hills 
that reach to the horizon, you cry tears you can’t explain.

When you look into the eyes 
of your firstborn, pain forgotten, you ache 
with love for this being who came 
from your womb, yet, seemingly 
from nowhere and everywhere.

When the sun hits a fall leaf, 
translucent in its last days, and the glow of yellows and reds makes you gasp,
only one word will do — bliss.

My PMDD is a Rose / Jess Tower

Sometimes, late blood stings my eyes like rose thorns.
I shake off the kiss because I can’t miss out. Between all my smiles, 
I’m holy hell this sucks. My breath rises unexpectedly & then: 
is breathing aware? Of the way two trains can folly 

& go full steam against the other. The way they can veer 
into deserts and kill their passengers, bitter. The way blood 
on those trains looks like a 70s movie, where the life
is sucked out of victims & any semblance of hope is flung 
off the rear door into a lake.

Does breath know? That what makes us aware is sprouting 
wings & leaping off that train, half sure we’ll be killed 
& half hoping we’ll survive. We pluck the thorns out & 
blood opens like water.


Day 16 / Poem 16

Season of Abundance / Hannah Eads

Season of abundance
city underground 
sweltering caves 

Their bodies haunt 
before they learn
to fly

Dying a noisy 
death, surrounded 
by the sounds, 

woke in humid 
spring to scream
and swing on 

the chandelier 
of their making

Text: Aware I seem Crazy, here / Lane Falcon

you go: a window into my flaming
amygdala, air show crashed by
defunct firecrackers: yes, my
impulses misfire and again, I try and 
explain myself. Looking back I will
see I say and say the same 
thing: I want you and want you to 
want me but maybe I have let you
see too many weeds the sodden
and soggy the knife edged and
bleeding maybe I have let you see
the snaily, clitoral captain of
crazy and now you want to run 
screaming but before you party off, 
wings on your ass, I want you to see 
this pink pure, this skin slick, 
this message viscera. 

Dear Kerri / Lindsay Illich

I’ve been watching a payloader haul dirt in my side yard all morning. It seems 

like they’re getting nowhere. When the ground is finally level, they’re putting in pavers.
The guy said the ones like dinosaur teeth. They’re also putting in some pinky winkies,
lilacs, and forsythia. Our first spring here, I noticed the forsythia everywhere,
even before all the snow was gone. Like girls gone wild but with yellow.
At the reading last night, R said that the unspoken last line of every poem is
I am going to die. It made me think of Harvard and then of you. At Harvard I heard 
M say that all poems say Thank you or I love you or Help. Which is also the entire Beatles 
discography. Which makes me wonder what’s the point? G said that he tells poets to 
say the fucking thing when they’re being avoidant. What’s Chicago like right now?
The sky in Boston today reminds me of Texas when they get those dust plumes from the Sahara
that give the sky a milky haze. Like a vintage filter on Insta. Just think of it, getting swept up
and moving over the face of the deep. Even if I’m not around next spring, don’t worry.
There will be so much yellow. I didn’t know there could be so much yellow. 

Lost Titles / Row Light

This golden year
Without art
I am a million flawed strangers.

The split self 
Split-second coherence 
For long silent
Over our chasm of everything.

We let the rest rot,
Let it rot
In some generous place
They know nothing about water.

Under the mask of non-sense 
A secondhand lonely
Is lonely mine.

The Bond at The Bund / LKN

drinks wine with me
being left behind
is kindred to us both

looking at the 8PM quay
on how the wind ruffles
the water, too depressed
it forgot how to swim

we thought
why doesn’t it fly instead 
as we felt the edge
of the year, close

like the bill at the counter
we’re on the 33rd floor
the level looked like butterflies
about to soar

on top of Singapore
where the breeze is too cool
like our arms, suspended

beside our pains
we’re always abandoned
like the cruise ships
that pass by conveniently

the sea was too far already
the pavement looked at us
with a smile, rare in this city
it felt like a family i didn’t know

manila is 1,474 miles away
it never became that near
that safe, that happy
it was waiving at us

as we were about to rise
the missing, missed the chance
as fate called-off our feet
from that ledge of dreams 

“call: andrea recto”
my other home, called me home
i left marina bay that night
december waved goodbye

years have jumped between us
we visit each other still 
our wine dates remain
both of us—apparently knows 

how to stay, and someday
december and i won’t walk away
we’ll leap! but we both know
it is not today


Death, clad in a sparkly, red, spaghetti-strap dress,
shouldering a Prada leather mini bag, and
shod in Jimmy Choo heels, and inevitability,
sachets up and down Figueroa Street in LA.  .
Soon, a Kia Optima SX pulls to the curb,
passenger window down. He offers to pay
her for time.  She looks him over. Paul wears
a Navy polo shirt and pasty pallor.
She gets in, and they drive away. He coughs,
and the sound echoes deep and phlegmy.
She’s amazed he’s lasted this long, but not
surprised he’s come to her for a last fling.
They drive to a predetermined destination.
Later, he drops her off where he picked her up,
then steers into inescapable night.
Back on the street, she waits for her next client.
Everyday, all night and day, she continues
this routine to afford expensive clothes, apartment,
a car. Many have begged her to quit, to retire,
but she’s stubborn as a fact, and would miss
too much all the people who drive down her Street

Over There / David Maduli

To the West
Sun sinks between the cars swarming the 880 bend
Chain link fences rise toward the freeway
To one side of the enclosed field
Row upon row of new condos at various stages
Of rebar framing plywood concrete roofing siding marketing
Fronted by a row of pastel blue and silver flags as if awaiting royal procession
To other other side
An encampment of battered trucks and RVs
Piles of mattresses wooden pallets clothing furniture discarded objects of such volume and mass they are unidentifiable
A man weaves a rusted bike over ankle deep ruts in pavement shattered by abandoned rails
Stopping occasionally at cars that pull up
Inside the fence
To one side under tall floodlights crisp warmup-clad players run soccer drills on the unblemished turf
An array of coaches and assistants guard the sideline also partitioned with cones
To the other side on lumpy grass patches interspersed with dirt mud sinkholes erosion loose edging
A small team’s practice starts
And is immediately doused by the sprinklers that turn on
I enter the gate on the turf side with son under my arm
An eager assistant coach sees us coming first, intercepts without hesitation thin smile encircling a mouthful of teeth, offers
—Hi guys, you must be looking for that group over there

Scenes from America / Aline Soules

           After Little Boy, Big Gun, by Nikki Basch-Davis

A small boy, head level with the waist 
of the two adult men standing at his side
one with his hand in his pocket, the other
with a gun strapped to his side 

The boy’s face looks straight at the viewer,
his eyes looking left at something outside
the frame.  
What is the viewer to make of this?

 Is the boy in custody? Perhaps his parents
are gone – dead, incarcerated, who knows?

Is the boy lost?  Perhaps in a mall,
although the gun looks too menacing for a mall.

Has the boy committed a crime?  The young
vandalize, steal, even kill.

This is a scene from America
with its well-clad people and its prominent guns.
The boy may look away no
but what about
when he is ten, fifteen, twenty? What then? 

Will he be the one to pick up a gun 
and enter a school?  Or will he be the one
still in school, trapped in a room with a gunman
seeking his fifteen minutes of fame?

The innocent face could be the two faces
of Janus. Only time will tell.

Mansplaining / Jess Towers

You under-vehemently exclaimed:
the stretched wave, perhaps surprisingly,
becomes the grave over time.
I say sounds difficult
Yes and then these animate into nothingness
& while winds lay fast, the scientific creator’s
reflection would seem like pain.
I say um
Yes and then this all leads the woman to where
the flower-stars fell, smiling & there, only there,
she is able to survive. Off the fruits of his labor.
I say in English, please?
Oh I just mean I just mean I just mean


Day 15 / Poem 15

My Cat the Astronaut / Hannah Eads

She opened up her mouth one day, Mako,
and said, it’s time! I asked, where will you go?
She booked a boat (hates planes) across the 
Atlantic to trot through Venetian streets, then
found her godly roots amidst Egyption tombs,
completed her studies and became the 
second cat to make it into space.
She writes me on occasion, describes
the smallness of our state, the emptiness
that is somehow also full of what she
claims are “funny secrets” that the universe
hides behind the wink of blinking stars
and the laughter of many species.

Unscripted / Lane Falcon

If I die first, tell no one
to put lilacs on my casket,
drink lavender, wilt the roses
by caressing their yellow.

Ditch my ashes at a gas station
because no one knew me—
death brings it to a head

coagulated preferences: the flowers,
colors, songs I kept 
bunched inside, spread 
for people who didn’t care to see:

she loved nothing 
and nothing loved her.

New Love / Lindsay Illich

When everything is lost 
a tomb opens

where the ghosts live in amber
and like a cougar

you pace through it, there 
legs of a chair that held

you the mantle the heart
the bolt ambitious for the jamb

love is an errand you run
through it each room a keep 

for memory you fill her up 
with everything you’ve lost

Today / Row Light

you ask the scariest thing
and I say, call me whatever you want.

Voiding an insistent me, syllabic shrugs
want you to fill these blanks
with favorite colors, shapes, and moods.

I don’t regret this life as me,
addressed just how we would expect. 

Yet, I love you the more for asking,
wishing you could answer too.

The Lore of Custom Eyes / LKN

a new mythology is built
mental health is my new god
i pray in my temple
that shuns the unfaithful
burning unagreeables 
of not putting me a priority

my deity smites with
unfollows, unreads, unanswered
called: pauses
breaking the causes
of my ego like an incense

with a middle finger
as the altar alters opinions
dis-aligned to its wishes 
words are omnipotent
i need not to be told
self-diagnosis is divine 

pride is heaven
a haven of immortal ego
using depression to raise hell
on a vindictive paradise
it wields my weakness
like a weapon to lash

crash my self-worth on them
called: self-love
to not mind their mortality
compassion is a passion
reserved to my hollow
its sake is hallow

taking a holy rant
as a legend of survival
anyone can suffer
as long my god is safe
in the suffrage of protecting
the numen i worship

monuments of its aether
cancels the welfare
of anyone who denies
the epic precendence
being the messiah of choice
its preservation is paramount 

others can be sacrificed
my god is demiurge
to deluge any plights but mine
it’s a jealous creator
in its sacred tabernacle
of envious seclusion

called: self-care
i need to ever protect my faith
my presence is enough
if anyone wants to reach me
you always have to say—yes
for my god is always right

do you have a god like that too? 

The World Stunned by Leaves / Nikolas Macioci

I awaken to leaves withering
outside.  It will be the warmest day
in October.  I glance at relentless blue
sky unblemished by cloud but scratched
with trails of jet exhaust.  My heart
grows wild with longing.  The leaves trick me
into melancholy.  I don’t know why,
and I don’t know what I want exactly,
but I want it more than I’ve ever wanted anything.
I turn back into the room, totter into clothes,
ready to rake beneath the giant oak. 
Next door, a neighbor burns what he has gathered.
I inhale acrid smoke as bitter as memory,
a time spent stumbling out of a relationship.
I rake the leaves wearing the blush of red. 
Air crisp as an edge of paper, sharp as a thorn. 
I breath deeply, exhale from beneath my heart. 
No flaws mar this day of smooth sunshine
soaking a sweatshirt, warming the skin
like the touch of new romance.  I bag the leaves,
brittle, crackling crumbles in my hands. 
For a long time, I stand still holding the rake,
searching corners of thought for how being
alive feels when I’ve been ankle-deep
in remnants of death.

Untitled / David Maduli

And I can never remember names
But I remember eyes
And I can’t find the words
But I found my shoes I was looking for
In the side of the closet
And I can’t remember what I went up to the room to look for
But I found this postcard and it reminded me of you
And I stopped to read the page it was slipped in as a bookmark
And the handwriting was definitely yours
But I could not remember the sound of your voice
Although you called my name my whole childhood
And called my phone into adulthood
And then passed on a month before I got married
Before your grandchildren doubled
Before published books
But we talk about you with your grandchildren
Who now have no living grandparents
And I am moving the piano soon as I
Get the measurements and hire someone
Because your grandson will play it
But it won’t remind me of you and dad
And me and sis
Because we never played it
And you never played it
Instead he will play it
And I hope it will remind us
To listen and stop
Looking for shoes
And closets
And words

Tipping Points / Aline Soules

A two-hour journey to Pacific Grove in my hybrid car and I’m in a traffic jam.
It’s Saturday morning, not even rush hour.  

Our global heat rise is already 1.1C, the Paris agreement target, 1.5-2.0C.  
Another piece of news on the car radio as we inch along emitting carbons, 
soot, and unburned fuel, 

while the environmental expert lists the tipping points of global warming at 2.0C,
the collapse of the ice sheets in Greenland and the West Antarctic, 
the death of the tropical coral reef, and the abrupt thaw of Northern permafrost.

I shouldn’t spend two hours heading to the coast in my car, but it would take 
several hours and three transfers to get there by public transit.

Someday, old age will force me to give up driving, but I don’t want to face it now 
or think about what comes next, whether it’s the loss of my independence 
or the expert’s prediction about Barents Sea ice loss, Labrador Sea current collapse, 
and mountain glacier loss.

I used to think my personal tipping point into oblivion would come 
before the heat dome I experienced last week, my car relegated to the scrap heap, 
along with my worries for the next generations, my family, my grandson.

I recycle, reuse, dispose of waste appropriately, tell myself it matters 
when I’m not sure it does. Yet, I drive on, arrive at the coast, relieved
at the lower temperature, even as I wonder when nature will flick us 
another warning.

gendered locker rooms / Jess Tower

strange beautiful intelligent: an entirely too-lacking 
             description of trans
When people ask if I’m trans, I say no but thank you
             for the compliment
Years prior, I gently iced into fluidity, then, suddenly
became dilated with fire & emerged 
purple silk
large kiss
no fear of the cross
the thank you approach turned
      the  no approach
I became a fluid woman
For the cis – I’m comfortable with myself


the fact is my individuality forgot how much 
superstition becomes galvanized with complex horror
until one laugh about my leg hair became far too many
& I had forgotten myself 

I then forgot all too much about gender until
I found myself walking into the 
women’s locker room, angry; then & only then,
the beginning of this poem happened.

Day 14 / Poem 14

Hyperfixation / Hannah Eads

The one thing my Lazarus promised me
was peace. He shape-shifts
at once a vampire with gleaming teeth
velvet robe and darkness
And then again the piece of a puzzle
a spool of ribbon next to the glue gun
Anna Karina’s blue skirt, Colombo’s
trench coat and cigar, the mien of mystery
to guide me onto the appropriate
plane. Serenity is in the forgetting
the surgical, the rolling of a stone.

Adam / Lane Falcon

I was happier before I met him—
isn’t that the sentence I always land on?
I’m going to love you until I don’t.

Cut from a rib, I took my swim
beyond this dead-end bone.
I was happier before I met him,

before his body stoned mine dumb,
right after I bloomed into Woman.
I’m going to love you until I don’t,

claw at this goddamn fable’s paper rim
until God takes punitive action.  
I was happier before I met him.

Now I know night’s amber hum:
picnic table, smoke and wanton moon.
I’m going to love you until I don’t,

until I don’t hear the drum
of this foolish longing (girl, you’re on your own).
I was happier before I met him.
I’m going to love you until I don’t.    

Tonight I say Mercy / Lindsay Illich

This morning when the rain 
started, I said mercy,

look at the daylilies, their 
orange heads bowing

in deference to the sweet-heavy 
rain. The stuck July 

just waiting for its rays 
of sunshine to come 

calling. I miss you.
The sky is falling.

The azaleas popping
off like teenagers.

The world waits as the cars 
sip by. And I’m in it.

I say okay 
between each small thing

to clear the implacable 
air. To appear industrious.

The tranche of evening 
is unfolding like a blanket,

like a page, like mercy.

After the Flood / Row Light

We two slink toward a four-way stop,
the wheel naturally spinning toward
the parking sign behind the defunct 
old ladies home turned to
grad student housing 
like it’s made a clever point.

Car heat drying me, I close up 
to rekindle that damp mouth, eyes, 
futz with nose cartilage and remember 
the lids as bent over dust pans 
to stop the sweeping lash.

And I know I won’t come back
sure as we won’t make it through all this, 
at least not the way we are just now –

that is, Polaroids and snack bags crushing, me shifting into crisscross so the seat heater 
gets the sides of the ankles 
like some therapy trick 
as I reach below for cakey cereal.

Watching the trucks 
have a roadside sleepover 
we thumper our feet 
like we drive Fisher Price,
see trips as swimming laps
back and forth
from nowhere.

The signal for your brights 
looks like grasshopper wings
(and yes, they can fly)

next to a hesitant hazard,
a check when you can
parenthesed exclamation 
on becoming not stuck.

road-trip to think.

I need to:
go blank, flood with sound, 
careless dreams or mad libs, 
jig euphoric,
joke on meds and constipation,
tickle memories until they shit themselves.

I want: my sister hating radio static,
playing the same song every 5 minutes, audiobooks kidnapped
from the unsuspecting library, 
the voice actor who cracks
the main character’s name in two
like a complaint.

I once ran over and drove with 
an empty jug of gas 
under my car for a mile
at six miles above the limit –

is this a cry for help or a thank you?

AdVent / LKN

all eyes, stares the 3pm in me
like a gospel they needed
sitting on monobloc chairs
being a congregation
of a faith-fool pew

listening to their ignorance
loitering on the hope
i read in my poetry
as they snap their spines
curved by the bars i slap

like it’s a homily of sin
they wear on the gaping jaw
buttoned-down for service
as they gasp their contrition
on the lines of my garment

it said: “freedom”, printed
in bold letters of kumbaya
yet the crowd is lower-cased
while i punch metaphors
on their mouths of expletives

they’re swearing themselves
omgs, doesn’t spare their gods 
from lies they try to hide
becoming a host of stanzas
the bystanders of spotlights 

a communion of spectators
ready to receive a speck
of truth they can’t live
people just want to know
a salvation is in a show

clapping their awe
as my bow smirks
a 5-minute mass, to amass
their mass of pretentiousness
thanks be their tickets

my words got bought
by their vapid cheers 
on my commercial poem
relating to their naivety 
i got paid for—to serve

an undeserving audience
is this poet’s confession

October Is What I Am / Nikolas Macioci

Autumn drapes thinner light over burning
bushes that have already turned lipstick red.
Gold coinage of elm and purple plumage
of sourwood bespeak how death entombs
elegance.  Even if I weren’t a romantic,
I would say my blood has turned to woodsmoke,
made me the cornfield scarecrow waiting
for shadowy birds to land on my shoulders,
transform me into one of a million pumpkins
in a ten-acre field.  Becoming autumn
is not a feat.  It is a furious longing
I can only begin to satisfy by identifying
with a sundial and letting leaves tremble
across my surface.  I might lift myself
into the air as an umbrella and catch
early October drizzle.  Moreover, what makes
me want to be the harvest moon, orange
as a rusted medallion or chrysanthemums
yellow as corn on the cob.  I am
slow to accept that I cannot become this
season, so, afflicted by nostalgia, I lean
an elbow on the windowsill, stare at
spiraling leaves and that moon again large
as an airplane.  I ache from falling in love
with fall, a wistful hunger for the unnameable
that almost kills me for wanting it.

At The Black Lily / David Maduli

          —circa 1999
Rats scatter as the 9 express rumbles from the tunnel below
Kiss the subway token
The inscription Good For One Fare, slip with a clink
Passage to the lower island is a subterranean Acheron
Stations flicker by like hyperbaric dollhouses
Night air is salted by the waterway couple blocks west
Emergence is brief 
Quick frisk then down again to the Wetlands basement
Dim amber lights turn the scene 
To a motion daguerreotype
The snare is an aural strobelight 
Bass has replaced air
Kick drum feels like it comes from a deeper place 
A giant pounding in its bomb shelter
Kindred twists frequencies around each other
Jazzyphatnastees embody every eponymous adjective in harmony
Breaking between acts 
The house band jokes and sips absinthe
A stir 
Crowd parts as if the 9 were approaching 
Through a hidden off-spur
A slight figure helmed with a massive afro glides past to the low stage
Waves a microphone into her hand
Gestures to the crew 
—Hey K lemme hear that Dr. Dre Xxplosive
The opening lick lingers 
Modulates and flanges through the basement
Like a tiger shark’s ripple
Her vocals the scintillation of moon on a shark’s surface sweep 
You can’t hurry up, cause you got too much stuff
The club pitches and yaws
The steel column stage left is an oar pulling souls across
Some time later the song morendos 
The chant repeats and fades
Let it go let it go let it 
Go let it go
Whether there is applause or not is hard to tell under the river 
Or is it the vacuum of space
—Thanks, y’all be safe
And like that the boatwoman is gone 
To circumnavigate the next dying star

Pain / Aline Soules

After The Two Fridas, by Frida Kahlo, 1939

Someone can cut out your heart
if you let him.  The surprising stab,
the knife sawing through skin
in a circle large enough to excise
the beating organ.

So much easier to cut out your own heart, 
bypass the sudden pain inflicted 
by someone else, someone
who was supposed to love you.
So much better to control your own suffering, 
when it starts, how long it might last.

Wield those scissors with care, cut only 
what you want to remove, choose 
how much blood to let fall in your lap,
manage your own pain as if, somehow,
you can lessen it by absorbing it 
in small doses.

Later, you can thread the needle 
with a long cord attached to a plug.  
When you can’t stand the pain anymore, 
or you’ve inflicted enough of it on yourself, 
sew your heart back in, leave the stitches
like a tattoo, and jump start yourself
with the plug.

discovering my father during a disability phone call at age 28 / Jess Tower

how many daughters will need to be       pleasantly out of frame
for the men who left them fatherless to have enough 
of assessing the degree of evil within the mothers?
The evil continuing onto the hims, harshly, because
the once-fathers’ stiff spikes only wire through the uterus,
retaining the baby’s genes & unfortunately,
retaining even his scent on the                 baby until the daughter
is hated by the mother, too, her once-glorious she 
turned mistake turned wished-for-skeleton

her(s) eyes closed, once             unsuccessfully
there was no help back then I did what I had to

          I don’t mean she tried to kill me, though sometimes I do wish on shooting stars

the unsuccessful-mothers bear drug-trauma formed into babies
until they no longer know who they were        once sang sharply        once stand-up kind
until they can’t even tell the daughter her father’s name


Day 13 / Poem 13

Mountaineering / Hannah Eads

Can’t wait
for holy chariots
for chilled wine 
to stain my lip
become eternal
(She has to be
closing up 
drying out
over clothesline)
can’t remember
what gifts to bring
to whichever mountain
I’m called to climb
a collection of candles
amaretto shots
courage to deny making
content out of climb

No Vacancy / Lane Falcon

Back before payphones were eradicated 
from the city, 

became aluminum
snake cord relics, the black handle 

we pressed against our cheeks— 
tears streaming down 

as we clung to some attenuated 
voice on the other end— 

haunted by nostalgia, 
I used to call my children’s father 

from one at 190th/Broadway. 
My sob-sodden voice, 

the words I said, bail 
slid under bulletproof glass, 

asked for some return. 
What he wanted from me,

and what the others after wanted 
from me—Why couldn’t I just see it 

for what it was? A few words, 
the ding the quarter makes

that falls clear through the chute. 
Why is what we remember most 

the only temporary? 

Fire / Lindsay Illich

You have to give it to her: she published  
her desire in ash, her whole body the cusp  
of another thing, like a daughter I drew her
a bath & she was laughing I noticed
a row of teeth pushing up behind the baby
ones old and new at once lampblack
plume & char, singe & orange how useless
our attempts to remain she fucked the house
like it was hers, like she’d had it with being inside
a shock of rage in her hair my feet beat the wet grass
the daughter in my arms, the fire blooming
against the dark sky & then a blanket
swung around our shoulders
the air thick with our survival

Friend / Row Light

I used to be afraid of feet, now I warm 
their nakedness with my socked self

You still do that snorting, hacking sound without realizing, but there’s a lot worse you could do – 

I say my object permanence leaves something to be desired, quite truly abandons that once-loved thing, plant, friend, though I fight against the last losing itself in my peripheral dark

You speed through the fog and I feel 
Too powerful, as we say, in a really great outfit 
Or with the remote in hand, the infant decider courting a dangling marshmallow

This is still your bedroom stage and my spot on the futon, sitting at rapt attention should you sweep through the door in some long skirt or denim marvel

I’m afraid of forgetting it all, your million perfumes and dropping me off in the quiet wet driveway and those first mind melds and too long car songs with just one more and past 10 and appointments with your bed because it’s really all now, and I’ll hug you through the seatbelt even if it chokes us both.

A Black-Tie Gala / LKN

death is entertained
while selfishness holds
my hands, tight enough
to choke my grandmother
from the gift of resting

peace is queued in lines
green—to lie like a play
playing god is an inheritance
i steal the still steel script
is still—like a spiel 

of stretching her breath
on a stage to stage my ego
in contracting a contract
of my indomitable guilt
on my inconquerable grief

hiding in a backstage
of appearing i care for her
it’s for me… i can’t let go
of extending the frames
of holding her patience 

kissing her understanding
embracing her hope
of my constant abandonment
why didn’t i come sooner
regret is always late

all I have is a monitor
to direct the intermissions
in this self-serving production
of her suffering, and my pride 
compassion is set aside

i exhaust her pain
to benefit my greed
with a standing ovation
but death is the only one clapping 
while my grandmother and i

bowed—to the end
we did put up a good show

but blame is my only encore

October Feels Like A Place / Nikolas Macioci

It’s where yellow leaves unfasten from birch
trees, and the smell of woodsmoke prevails.
It’s a place near a pumpkin patch where
you turn the last page before winter. 
It’s crows on a cornfield fence rail, black
throats rattling caws.  I’s a place where
a profusion of chrysanthemums suddenly
mean more than any other flower.
It’s where walking in leaves is absolute
contentment, where coming upon a hillside
of crayoned trees or leaving footprints
in early morning frost are surprise gifts. 
It is a place where an enormous white moon
quickens the pulse, a place where nostalgia
gushes up from contemplation and throws
longing into gear.  Mark October a place
where a multitude of bones, bats, and black
cats fill imagination with a flutter of welcome
fear, and you recoil from the rat-a-tat-tat
of a witch’s fingernails on your window.
It’s where roadside markets display a dozen
different baskets of apples, and jugs of cider,
the color of sunset, become broth of the season.
Let someone special stand in this place with you.
Let leaves fall around you both and feel
nothing less than love.

scratch /’skraCH/ / David Maduli

verb score or mark the surface (of something) with a sharp pointed object. The cheek of the sun was scratched by a comet. 2. cancel or strike out (writing) with a pen or pencil. The skin’s sadness was scratched out by tears. 3. to produce a rhythmic scratching sound by moving a phonograph record back and forth under a phonograph needle. The DJ scratched the record, samples of cosmos chopped by crossfader. 

noun 1. a mark or wound made by scratching. The scratch bled drips of father, mother, homeland. 2. a test of courage Ay, ay, a scratch, a scratch; marry, ‘tis enough. Go, villain, fetch an editor. Ask for this tomorrow and you will find it a grave poem. 

The Coolest Summer of the rest of My Life / Aline Soules

We broke a record in Danville, California this September, 
120 degrees Fahrenheit.

In the 1960s, Mother and I crossed the Mojave Desert 
in our non-airconditioned car. Needles, California, 
117 at midnight. 

This past June Mojave registered 130, close to the hottest 
degree ever recorded on the planet, 134 in Death Valley.  
Dry heat in this state, said to be easier to bear. 

We wake to hot dawns, even now, huddle 
in our air-conditioned houses.  I think of those
in heat and humidity with no refuge,
suffering through the faults of others, of me.

The rich consult experts, New Zealand or Iceland, 
buy acres, build bunkers with swimming pools
and gyms. Their children will grow up insulated, 
isolated, unaware until someone turns off their power.

Restocking Shelves / Jess Tower

When the rejected kids of narcissists
regard their peers, it’s often icy, brief.

They are used to it –
being on the lowest shelf, I mean.

I tempted fate back then & 
nature had waned
from then to right now.

So, while holding his hand,

the shelf-drawers 
hold the vision from before 
the vision from now

& we fall,

Day 12 / Poem 12

Next Great Revenge / Hannah Eads

what other way out but diurnal isolation! 
I am the bachelor of my thoughts
living in my work and the romanticization 
translating woes into personal renaissance

the rain breaks and cracks
against my window like eggs
I sing my way home in solipsistic fury

the horror of one’s day ends
at the start of a hearty nap 
when I awake to frenzied phone calls
I’ll write the next great revenge!

Joy Reliquary / Lane Falcon  

Someone said 
the only place you can push someone is away, 

and I don’t listen, 
never can I keep my hands from wanting

to touch the treasure, from grazing the glass case. 
Never can I keep my mind from turning 

the tiny and ornate over and over, 
trying to remember a pattern

I can’t memorize, 
that adheres to an unknown artist’s seam. 

Like the crickets that chirp each night in threes, 
the strumming then, 

all part of a tapestry I can’t see whole. 
Someone said pleasure 

passes through you, 
and the more you try to cling, the sooner 

it leaves. So what should I do then, 
feel myself fill, then not try to stop the draining? 

Let myself go empty again, 
surrender to it? 

Watch the joy bleed out but for what dries 
along the edges 

into a brittle crust
I can’t touch without breaking?

Patient / Lindsay Illich

As we await the call to schedule the procedure
the storm blows in and begins to pour forth.
As we await the return to appetite, what it must
feel like to be free in the casual afternoon.
As we await the road opening to the clearing
where you can see all the letters of our city
spelling I love you, like a revival
and then the woods again in a gulp
of the deep wood, the tangle of limbs above
hanging over us, the heat of our bodies
the clean of longing, how it makes you wait
for it to come, the black ribbon in the rearview
the air like static, the eyes of animals watching us
wait for the call to schedule the procedure.

Moat / Row Light

You say I opened my mouth wider than I ever have in my sleep and I ask really? Remembering how my jaw unhinges like a snake’s when I get the things I want or hear the news or forget to check around corners (I jump easy and drawbridge the same. The castle kind, not fraternal sides, though my face kind of melts in a two way mirror). 

And after you say what that sleeping looked like, I tell you I dreamt of drowning in a few inches of rainwater. 

So when the apartment floods and books make icebergs I know it’s my fault. I say things to myself that, if you told me straight, I’d burn you at the stake or take back your birthday present or throw us both in the river to see who floats.

Lull A Bye / LKN

mother is like time
it won’t wait for you
leaving you behind 
like a requirement
in a bed of screams

numbers are deaf
it doesn’t sleep
like your tears
it tears the sheets
like a calendar 

meant to rip a goodbye
even in a fevered moment
it is still, it is cold
to walk over your pain
you’re just a happenstance

nothing, but a stroke
forgotten, as it leaves you
it knows abandonment
like how your pillows
acquaints the waits

of your lips, your teeth
it is mute, deaf, blind
senseless to a sigh
mother is your dawn

but you’re not her midnight
you will never own
all the seconds
that puts you aside
like a worn-out sleep

awake on a wake 
being just a number
in a series of events
discarded away
like an inconvenience 

you’re never a priority
hours will miss you
no matter how you miss it
no matter how you shout
hail all the marys

counting the slaps of hours
without your value
to continue—is constant
the con is sent
under the mattress of hope

of your dreams
that someday, somehow
mother will sit
watch you, like a watch
she forced your wrist

that’s the twist
mother is the beginning
time is the end
you’re but a middle
a blink of an option

between two eternities

A November Life / Nikolas Macioci

Diane has taken up knitting.
She sags in an occasional chair
by the casement window. The mantel
clock tick-tocks language of lost hours.
Late afternoon sun makes transparent art
on hardwood floor.

She’s seventy-two, doesn’t know how
to dismiss the thought she has nothing
to expect but death.

She reads Shakespeare, listens to Mahler,
makes ceramic Christmas trees. Once,
she had a romantic relationship with a man
named Paul. They had worked together
in the state office building downtown where
she handled clerical tasks. He was her supervisor.
She wasn’t prepared for love to tire so soon.

“Men” she thinks, “are never as present
as they appear to be, roving among detritus
of their own egos.

Autumn light becoming less, she places
her knitting on a side table, wraps a coat around her
shoulders.  Outside, on the back patio, she breaks bread
for birds, stands still, watches sunset dissolve. 

After sun has cooled, she ambles back inside,
snaps on a lamp that throws a circle of light
on the table.  Unfinished knitting lies within the glow.

Microzoogressions / David Maduli

You are at the front of the line for the merry-go-round at the Oakland Zoo. Your two children, giddy, jump and spin in anticipation. You ask them what animals they want to ride.

“Eeeaaagle!” cheers your son. 

“I can ride the horse next to him,” offers your daughter. 

The mom in line behind you, well actually standing next to you now since her daughter has pushed her way to the front, gestures at her toddler and says, “She likes the eagle.” You nod and smile, thinking that’s nice

“There’s only one,” she continues, “if your son likes to ride the eagle then we will have to wait for the next turn.”

“She really can’t ride anything else? There’s so many animals,” you gesture to the circling menagerie.

“I tried, she will cry. Are we going to fight over the eagle?”

Chuckling, shaking your head, you turn back to your children, giving them each a ticket. The ride has stopped and parents are boosting their kids down and exiting.

The woman bends down and starts talking directly to your son.

“Ooh, look at the elephant! The elephant is the best, so beautiful.” 

She points and your son points. Yeah, he likes elephants too. The operator opens the gate. The woman lifts her daughter and rushes past you to the carousel, buckles the girl on the back of the eagle, avoids your glare as you walk past.

Earwig / Aline Soules

             Forficula Auricularia, pincher bug

My friend Christine and I explore the seed pod 
of the poppies Mother planted by the side of our house
last spring.  Elbows on knees, chin in hands, we stare 
at an earwig crawling up the stem into the seed pod,
the petals long gone.  What is it doing? 

Earwigs hurt when they pierce with their two curved pincers. 
We stamp on them, smashing the pod, killing the earwig 
before it can fly at us. We do it again, discover each pod 
has an earwig, lose sight of our curiosity in the lust of killing.

Decades later, in California, I harvest swiss chard I grow
for food banks. I disturb a nest of earwigs, wingless 
in North America, but equally painful. My fellow farmer 
sprays them with bug killer. I wonder why I don’t feel guilty 
when my childhood memory pierces me to this day.

Romeo, the CEO / Jess Tower

Romeo, no! I think my Pom 
understands, but chooses chaos 
most times. Yesterday, I got the food 
with the chunks in gravy. Romeo hates 
the chunks in gravy. Romeo won’t 
drink water unless it’s ice cold. 
No room temp or tap for him. Little jerk! 
He’s like the CEO of a big-name company. 

But: his tap, tap, taps on the floor are my heart. 
His paw on my leg. His kisses on my face; he marks
my glasses with dog spit. Even his little growls. 
This dog is like my child; I basically birthed him. 
Unfortunately, he gets the stars. Spoiled from the start; 
my dying grandpa fed him cornflakes from his palms. 
Pandemic pup, sort of, but adopted so it’s better! 
My grandpa: it will be great to get a puppy right now, 
ya know, since I’m dying! Grooming – a hassle. 
He’s house trained but bites. Barks at my cat. 
Barks at my neighbors. But he’s mine. 
Next dog, I’ll do better. No puppies next time.

Day 11 / Poem 11

Birds / Hannah Eads

“feathers fall around you
and show you the way to go
it’s over”.     -Neil Young

In her dream all her thoughts
were numbers the numbers fought
for space flying up and at her
like enraged birds flapping their
massive black wings in a space 
endlessly escaping itself like a 
black hole she woke up in 
darkness the window silently perched 
and watchful as she gasped 
for air wading into consciousness 
meeting with the tide

Three Sunflowers at a Citgo Station / Lane Falcon

To think, all summer
I drove by this trio of sullen travelers
without noticing, wondering who planted them,
cared enough to brace their necks so they wouldn’t 
topple over at four ridiculous feet, so they’d keep growing.

Now I do, and not only because his favorite flowers are sunflowers,
but because a sadness has hooded us, a weeping matched by anonymous flowers, 
standing tall at a gas station. 

Unfinished Sonnet / Lindsay Illich

What makes absence holy is how it holds the shape  
of what’s missing. It’s morning. The moon is gone,  
but I remember it bright and rising. What makes absence holy  
Is how it holds the deer prints in the snow, or the picture of us  
the one at the peach orchard. I was trying to appear  
unaffected by looking away but the truth is I was undone.  
There were so many peaches! Like love! I wanted people  
to know about it and remember you and so many peaches.  
In their minds. Like they remember the tread of a bootprint  
in moondust. Like the flag frozen in a wave. I know why 
The astronaut left the picture of his dead daughter 
On the moon. She would always be there. The blue dawn  
is pinking. I remember you. I remember everything. 

seven o’clock / Row Light

My baby sleeps diagonally —
I hold the extra throw
Over my eyes so that the holes
Make sunshine (its vague 
Slits in the blinds) look like
A star-peppered orange.
Who was the first 
to salt their fruit?
To pour the eyes 
Back into sleep, or 
Juice and squeeze
In all this knowing?

To Those Who Smith Words / LKN

when did humility
visit your perfection
to bow lower
than your curation
of manicured creation

shading learning
as a privileged right
to leave behind faults
like a divine—gone wrong
are you proud

being the unblemished
the pure puritan
rearranging your humanity
polished to lie
lying to cover the raw

like it’s wrong
to learn—becomes torture
for a pretension
an immaculate execution
murdering the naked

to impress an empyrean
human-less, sublime
rejecting the non-utopian
need to flaw

a god of edit
to vacate the err of errors
begging the ideal
to slit the mistake
of your origin

to bow only to: what ifs
is the greed of cupidity
being the revised versions
of your loss, is gained
a fabrication of falsity

an unyielding high-flying
forgetting the ground
i bore you in
like all of my children 
modesty—is a travesty

you always wanted
to be more than real
deleting the candid nature
is an ambition, fabricating
a love—now rewritten

in a scripted-manuscript
that had written you more
than your own paper 
with an ink who doesn’t know you
when you ommited me

your mother,

Grandpa Mohr / Nikolas Macioci

Blindness did not deter him from shuffling
every day down the path along the Canal
at Buckeye Lake to Harry’s Bar for a few
beers, white cane, a gift from the Lions
Club, extended in front of him like a giant
ant feeler.  Perpetual attire consisted of
shirt, pants, Romeo slippers and soiled
cardigan.  He smelled slightly of urine.

Returning to the cottage, he slid tiny steps
forward until he nudged his naugahyde
recliner, dropped onto the seat and exhaled
a sigh.  Then he would close his eyes,
merely a formality, and sleep.

I used to stand nearby, stare at work-worn
hands and wait for him to awaken.  He never
hugged or shook hands with me.  His touch
had replaced light and was only a tool against
wrong turns and guesses.

The man who took careful steps to his chair
used to walk a herd of cattle fifty miles
from Bainbridge, Ohio to Columbus. Later
in life, he painted letters on railroad cars
at the roundhouse in Columbus, ran a farm
tractor after he came home from painting,
sometimes into the night, and helped to raise
ten kids with perfect table manners. 

Seventy years later, I stand in my garage
on Frebis Avenue, wrap fingers around his
shovel and hoe, hoist them to my shoulder
and head toward the garden. I will break soil
in his memory.

Immeasurable / David Maduli

Waves faded to night under no moon
Winds pulled back
Joules charged in defibrillator
Seconds between heartbeats
Machine breaths

Worries seeped in propofol
Dreams undreamed
Steps unstepped
Hopes masked and gloved

Blood cells in a plastic bag
Secrets disappeared into skin
Sand disappeared into sand

Dunes that were far away
Then everywhere

Then gone again

Flash Floods / Aline Soules

Sing-song lines from The Rime of the Ancient Mariner
Water, water, everywhere, nor a drop to drink.  
I lived by the salt sea. The ocean. What else could it mean?

In my air-conditioned condo, the news shows
Bangladeshi wading up to their waists, chests.
They drink dirty water, lack food, have no place to rest, 

leave the flood shelters for their homesteads, 
share cooking utensils, furniture. They’ve lost
crops, seeds, fodders, have no earnings for a daily meal,

suffer diarrhea from typhoid, cholera, giardia, dysentery, 
the list goes on. They call the helpline about violence 
against children and women. The children stand 
in front of unclean, broken schools, their faces unreadable.  

The bell rings in the high school, adjacent to my complex, 
signaling the end of another day. I hear shouts and a coach’s whistle 
from the Olympic-sized pool where the kids are swimming laps.

Neurodivergence / Jess Tower

If I could tell you how I didn’t know
the dead Queen wasn’t perfection, 
I’d tell you it’s my neurodivergence
I see many things upside down.

My apologies won’t do much but grate rage into 
pieces and that’s harder to explain. I attempt
to learn the neurotypical thought patterns, yet again.
Words from all the normal people splatter across 
the ten Wikipedia pages tabbed on my MacBook.

Feels like no way off the bridge but jumping, because 
I can’t see the stairs a few feet behind me. Feels like 
I’m in a completely white room, alone in my 
misunderstandings. The room is so bright – too intense! –
and I need darkness, but I can’t find my way outside 
to the only other room: completely black.

Thinking it’s gotta be this one way
(it makes sense, right? This is how they must think.)
while my friends(?) laugh at my again-failed
understandings of this world, this society
that puts my brain in a constant state 
of paste; of hatred of myself. 

This place doesn’t get me either, though.
I wasn’t meant to be too much.
I was meant for streams and strawberries;
for slow-paddling interspersed 
with fast-dances; for carving who I am 
into tree bark. But I’m here.

And there’s too much hustle here; no beds 
with huge, dark covers silking around 
my body – sore, raw.

As a child, I was freer than most.
Now, I can’t adult.
School? 4.0’s all around.
Life? Throw me off that bridge now.

Day 10 / Poem 10

In Conversation / Hannah Eads

It’s possible: a connection deeper than 
molecules in wavelength conversations with
the cricket on the heater
the spider perched above the cabinet
the mother and her baby deer

And in nausea, fever, clouded face
I feel their presence like a friend
as if in a field, the rustle in the brush
is the language of the soul

My Daughter Asks Me Why I Stayed / Lane Falcon

My will is weak, 
I don’t say, 

because what good 
would that do her anyways?

She with the girl-fire, 
the exalted torch.

Why tell her what 
that fire is up against? 

How her body, 
now wholly her own– 

it’s sensations, 
the dreams it shores up– 

might someday bruise 
or go blank 

under the weight  
of someone else’s writhing. 

How shame sinks 
into the body, a stain 

so set in the fabric, 
you forget it’s there. 

Question Sonnet / Lindsay Illich

What if we’re our own Cassandras? What if
the oceanic feeling wasn’t a memory 
but a collective premonition? Of the coasts,
of flooding. What if dementia is this, also
A problem in the system would be registered
in the entire organism. Is memory loss
proprioception of the earth’s body in crisis?
Could the unevenness in our memory crisis
reflect the unevenness of the effects of climate
change? And what about the ones who walked 
into the water? What’s the relationship 
between the Earthbody in crisis and another
loss, the loss of empathic capacity?
If the Earth is sick, are we not sick, also?

On Leaving / Row Light

The six month chug turned summer, flowering
in new mulch – it can be wood or soil,
a category for that which aids in growth, sets the scene.
You transplant frothing pink things across the yard
for their looks, never mind the beach roses
nuzzling the tin roofed garage.
They, of course, were mentored by the maze of bricks,
tilting path with mini golf carpet,
once a runway for an elderly dog.

I help you lay planks across the chipping porch
just a half-foot above ambitious grass
weaseling its way into conversation.
I nudge the elbow in my gut –

I think I need to go tomorrow.
I whisper toward a turned back, black shirt
absorbing hot breath.
Can you understand? 
Of course.
I twitch every second in and out
of the mind to walk these ruined streets.
To point generously toward homes with good bones 
poking out their sides like my left protruding rib.

Their bare potential streams through me and I imagine
being still in unwatered grass forever, tendrils
only surpassing the hair curling on toes 
by the length of insects’ legs.

Some margin smaller than the dirt film
covering just-forgotten plaques
With little wind whipped evidence, leveled etches
only guess at words
that hold the lives below.

I think to ask a mourning dove
why we mourn what we never loved.

A Secret Hide, Out / LKN

the rain twists its grace
when my wrist kisses the blade
that’s god’s meeting place

they’ve been longing, long
enough—to touch each other
sooner than a sin

seen by drops of graze
to gaze immortality 
oh… like an equal

moaning in tranquil
flooding of one’s liberty
to stare directly

to touch is freedom
to slide a colonizing
embrace—is divine

a fine dripping line
pointing a red rendezvous
of humanity

and a holy spine
spilling a conversation
between their own lies

blessed be the knife
where choices place a venue
coming together

assembling a fate
to commune a painful joy
abut in a storm

The Roundhouse / Nikolas Macioci

When I was a kid, Mom often drove
her ’51 yellow Mercury to Johnson’s
restaurant on South Parsons Avenue,
directly across the street from a train
building called the roundhouse.  It
was semicircular and reminded my
pre-adolescent mind of an angel food
cake cut in half.  The building sat
atop an embankment and was used
to store and service locomotives. 
She told me her dad used to paint
letters on train cars there for B&O
railroad until he went blind. She
would tell me this every time we
went to Johnson’s.  She said he was
the best painter who worked there
and did it all freehand, no stencils.
Whenever I heard these words, I
would sit a little straighter, feel
pride that Grandpa Mohr had the
touch of an artist who painted
words on railroad cars that traveled
as far away as the Appalachian
Mountains.  Mom made it sound
like the roundhouse was a family
monument to which I owed respect.

Seventy-one years later, I don’t live
in the South End of Columbus, Ohio
anymore.  I dwell in the small town
of Groveport, about fifteen minutes.
from Columbus, and I only pass
the roundhouse occasionally.  Its
windows are broken, waist-high
weeds proliferate, and the building
itself is crumbling, vacant, and useless
as the words he once put into motion.

Villanelle Lost / David Maduli

lost coast buried sun steel smog haze
ash earth quakes in anticipation
pacific’s heart broken into tectonic plates

asbestos brain abandoned sea cliff maze
humanity melting ground glass grey lungs
left coast buried in sun steel smog haze

civilization dusk carbon fiber demise
area code unknown sleep stars thunder
pacific heartbroken into tectonic plates

water first water last sand salivates
new skins & piercings damp smoke death noon
lost cause burn steel smoke sun into haze

otherside of blind spots fade blue places
lost violet summer slim paradise dune
pacific’s heart broken in tectonic planes

cactus amber mojave pacific coral mesa
offshore desert august ocean atlantean june
last coast buried
pacific heartbreak

At the Installaation / Aline Soules

Black on Black Spirals, Alexander Calder, 1970

gouache on paper one spiral striated 

sky sun. bright blood the other black

Lawrence Kalmbach BBA ’92 

etched in steel object label on gold frame

hung on a bare library wall

ribbon-cutting reception for the few

Dad granite-faced Mom in mute tears 

the Dean and I watch

students study at nearby tables an ordinary college day

no one speaks no one says suicide 
Is blood on black spiral or black spiral on sun sky?

hell’s happiness / Jess Tower

To lovingly surrender your corpse:
accomplished, the already-dead wave to you.
Even the smoke meditates here, even 

the tempered oysters are ancient. The sea is to see 
as death is to be. Inflamed love: all you need. 
The dichotomy’s so foreign to me. I’d much rather 

go to hell because I’m not there 
for anyone but myself. Champagne 
tight around my once-esophagus. A party 

to remember, if I still had a brain. 
The tame gates of heaven 
make me nauseous.

I’ll take the old gods over golden fetuses any damn day.

Day 9 / Poem 9

The Luck of Life / Hannah Eads

Solace begets a bursting purpose
begets a burning out begets 
catastrophe, rinse and repeat
this luck that I possess

Relief, figures projecting where
the worry was released, a gorgeous
gold landscaped with honey hills
and manna freely falling from the sky

Lucky to have found this way
like walking thirsty through the desert 
forgetting you’re a snake,
learning each time that you remember

The Other Woman / Lane Falcon

I want to write a poem 
about the sleeves 
of images in between

when he comes and goes 
each night, not a chapter 
but the whole story

bound and burned by daylight.
I want to show why she 
Invites him to close the door 

behind himself, flick 
the dead bolt shut,  
and follow her up into 

this house, past her sleeping 
children’s door, 
how this woman— 

how long, how hard, how desperate, 
how wanting— closes 
the blinds and lets his body 

absorb hers. 
Guilt hides behind 
every curtain, pulls the cloth 

from his face just enough 
so she blinks and sees white.
Whole worlds 

peopled with worry 
buzz just outside 
where she chooses to look.

What happens inside 
her body, the inner cascade 
of worth, should be, 

must be worth writing. 

Mirrors and Doors / Lindsay Illich

             for Dr. Rudine Sims Bishop and Dr. Gina Opdycke Terry

The petition states that the titles need to be
removed, removed to protect the children. 
Respectfully, I have some questions. 
Which children? What will happen 
if they read them? What are you so afraid of? 
Maybe it’s because you already heard.
A book is a mirror. A book is a door.
Maybe that’s what you’re so afraid of.

stay / Row Light

The new sofa becomes these blue walls,
tightened in the corner around a gangly lamp.

Its smooth patterns raise like scars,
invisibly inked tattoo magic.

The fringe molests the backs of my ankles
so I swirl the knees into containment,
kneading the toes as black cat socks.

A popcorn shell enmeshed in my smile,
I think to jog its memory. But it beams
into an upper chamber, sticks
unreachable and proud.
So I decide to let it stay.

Luc / LKN

i wish the mirror lied
when i asked
i’m not alright
the answer—echoes
five years, still

my bones are still-naked
facing my refraction
rape never allows you
to wear anything
but shame

i live, but survivors
are never proud
how consent—bent
respect, to shatter
shut, there

in a reflection
on eight lies
looking at me
behind the glass
of my recollection 

showing the broken parts
that mend the pieces
of their immortal moans
screeching thrums
on my memorized thumbs

that numbs
the fog, the dew
in the few hours
on my face, that can’t face
trauma can erase

the joy of looking at myself
all it permits me to see
are blurred images
of who i wasn’t, who i won’t be
what i am—is clear

a molested manifestation
bearing the likeness
of an unrecognizable person 
dis-forgiveness stares in me
stripped, of me—by me

have i been raping myself too?

Outside Denver. Colorado / Nikolas Macioci

Like morning communion, ground clouds
evaporates on a tongue of sun.  We have pulled
to the berm to snap photos of Pikes Peak.
My three travel-mates open car doors, slam them
shut.  Metal echoes follow these companions
as they wade through bluebells Indian paintbrush,
and thistle. They press cameras to their eyes,
ready, eager to bring home souvenir shots
of the Rockies. 

I take pleasure in being alone for the moment.
From the dashboard stereo, Kenny G’s saxophone
sweetens the air with “Songbird.”  My friend
have trudged deeper into the field, look like
lost errants who have wondered off course.
Sun through glass, a cosmic arm around my
solitude, warms away a forenoon chill. 

I think I could hide here forever, throw away
my name, become as content as the Lark Bunting
settled on the post of a piece of abandoned fence.
When friends return and open car doors, tranquility
flies elsewhere like seeds from a milkweed pod. 

Back home, in a freezing moment of winter,
I will remember welcome isolation beside this road,  
gigantic mountains yellowed by early morning
sun, serenity at my fingertips, and, yes, I will retrieve
my own photos from the trip, preserve the best one
in a frame from Walmart, place it near lamplight
on a desk where no songbird will be singing.

textual studies / David Maduli

subtext:  touch your hand to your face, in the window of a passing bart train. in the flashes between your you’s, in between time’s elasticity and electromagnetic motion, is city, driver, passengers, plastic, metal, darkness, florescence, incandescence
context:  the city is smoldering, heat bends the city in undulating waves, the new city is gone, the old city is still here, the city is distortion
pretext:  this and that, la-di-da, yada yada, blah blah blah, so i was about to go for a walk in the city
text:  he waits for the train, the train waits for the station, the station is long forgotten

The Dancer’s Life / Aline Soules

After “The Dance Class”, by Edgar Degas (France) 1874

Ignore the pain of toe point.  Pretend 
your chaperones aren’t watching.  Ignore 
the dance master leaning on his stick.

Fluff your tutus. Check your positions 
in the mirror, the flowers in your hair, 
your ribbons and sashes.

Be ready to dance, pretend that elegance 
is easy, that the line of the body
is natural, not art.

Ignore, too, that you dance 
not for love of art, but to attract attention,
to catch the eye of a man.

After the dance, behave as expected.
Accompany him, climb upstairs
to serve this evening’s master

so that tomorrow, you can eat
and feed your children and be ready
to dance again.

Restless Peace / Jess Tower

Not perfection, but continuity. 
Will there be chaos, or an overwhelming 
sense of change? Like our Mother,
we too are adrift. History is a circle –
it’s not unlike women to flatten it out,
fleetingly. For just a moment, there’s
bread on the table & semi-equal rights.
We’re not all progressive, but something 
about women in charge screams 
God. Save. The. Queen.

How is it that life can so often hinge 
on one single person & when they’re gone,
the world shatters? Men pick up the pieces,
a little too carelessly, maiming a few women
too close to power & soon, we forget that bright-hued 
love, replaced so easily with dollars & pounds.

I think to myself, God saved the Queen much too soon.

Day 8 / Poem 8

The Chiseler and the Charlatan / Hannah Eads

Almost successful, he finished his story about
men’s and women’s favorite tendencies, almost 
successful in suggesting a major human limitation. 
Fragments of night lights twinkled in his glass.
I listened as an old friend walked by, remembering
fragments of all the wrongs I had done or thought about
doing. Allegedly, this was all a part of our cosmic
poetry, the perverse betrayal of one’s betrothed.
An odd thing: hearing what you thought was your
own naturally-grown pessimism falling verbatim from
the mouth of someone you wanted to prove it all wrong.
The mirror folded back on itself and began to show
its truths rather than its projections. Ah, I say, 
years after I downed that pensive drink, I see.

Septic / Lane Fields

Don’t think about where it goes, that floor beneath you, 
how wide it stretches or whether it opens up to some kind of horrible 
basement, mummies reaching through their bandages 
green with red eyes     dying to meet you. 

Don’t think about how you know it’s more than a ravine, 
a fissure in dirt widened with every creak 
of the earth, rocking back and forth  you know where it goes, 
cool tunneling up 

wrapping around your ankles             then waist 
then neck        pulling you in
Don’t think about where it goes, what it does to you

even now as you i walk your dog across a residential bridge 
and look out over the septic creek water, bottles stuck 
bottom up in the mud. 

After Roe There Can Be No Sex Positivity / Lindsay Illich

On the bank, a clutch of pink mylar.
Cicadas. The air is thick with heat.
The midge merrily. A man is carrying
a watermelon under his arm.
The weight of it doesn’t seem 
to bother him. What’s another piece
of fruit? The boat drifts downstream.
The yellow arc of the fly line
threading through the blue sky.
For the first time, I hope no fish will bite.

Indiana shift / Row Light

Biking through midnight,        lid-less
the streetlamps orb       out in mist.
The nylon red pant leg       twists in the chain
released with chilled fingers       from strangulation.

8am sunlight,        grainy chicken smell,
small talons etching       through the pile.
I yawn at the glisten
behind        the stretched cotton ball
sky, settled on its side       after the restless night.

I daze into the house,        knee up stairs,
knock encouragements       framed on walls
so they jostle each other’s confidence.

The bath mat warm enough        to wet, pruned feet,
stripped slick socks smack tile,
as gasping heat       gropes its way inside.

And the half-wet body       stumbles toward,
catches the fall       as a twitching dream.
I set the clock       for the next
and consume       these buttery hours.

Tell-Tale Vault / LKN

privilege is a poverty
sitting on my insecure security
while i check on my bank account
that accounts the complacency
of a newly industrialized body
from a corruption as old as ignorance 

i’m presumptive to assume
that my educated english
my colonizer’s complexion
and my imported clothes
packages the right to be left
away from queues, to cue tantrum

like a first world entitlement 
skipping the mass of mass
it’s not my job to understand a life
i’m not meant to live
not everyone is born to backtrack 
as exclusivity that forwards a manager

to bow lower than his pay grade
someone has to be a bottom
topping a pleasantry’s demand
to slap a check on a cheque
like a vault of treaty—to name
a filled blank on their faces

while ignorance withdraws
the fluent-affluence i sign
in minimum wage earners
waging an protest of disgust
of how a brat gets his way
around their tired finger

whose palms are unscathed
of callous determination
to wait, to persevere, to hope
that a thick envelope will be handed
just as i received one myself
before leaving a “thank you”

like a good embargo would
to ensure i’ll get the same immunity
being served, without impunity
this is the liberty of being developed
rich as a gold standard
that most people aspire, to respire

an escape from the mundane lives 
that will forget them soon enough
this is their fantasy—a dream
of pulling the stature of strings
it begins when sleep pushes me
and ends—when sunrises can see

denial is never wealthy

At The Festival Of The Leaves / Nikolas Macioci

Sun tangles in trees.  Its cat’s cradle
floods my windshield.  I am driving
among hills of southern Ohio on Route 56
toward Bainbridge, a town small enough
to put a fence around.  My destination
draws me out to view aspen yellow as
amber, the rust of black tupelo, scarlet

I park several blocks on the outskirts
because town’s people are meandering
in droves.  Booths, shops, street vendors
offer everything from sandwiches to furniture,
socks to hand-carved canes. Humming
under my breath, I watch people watching
people.  Life is simple.  Since my parents
died, I have lived without anyone, so I stroll
the sidewalk, ice cream in hand, craving
a companion.
Just for fun, I pay a boisterous young man

to guess my age and weight.  It costs three
dollars, and he’s wrong in either case.  My
prize is a necklace with two interlocking hearts.  

Real Sweat / David Maduli

notes on craft:
C: catwalks fingers from ground to arm to skyscraper
head tucked in memories, slow curl, 
explode into light
A: grows a landscape mountain by mountain waterfall 
fountain city city home, asks repetition, asks which arm 
will lead, already knows the answers
K: extends vertically, leans eternity, swirls migration 
across the stage, cups echoes,
laughs night sky at noon
tension release play work physical 
metaphysical reversal multiversal floral
real sweat in a city singed 
with climate change. on the concrete steel 
and glass platform wildflowers appear:
through bones tenderness, tendons strength, 
muscles remembrance, the dancers reveal
the flowers were always there
rehearsal ended, 
flame bottletrees scatter an applause
of shadows across the plaza

The gift of the moon / Aline Soules

After “Celestial Pablum, by Remedios Varo (Mexico, b. Spain) 1958”

With my long-handled spoon, I feed you, crescent moon, 
what the dream grinder crushes from the night before.

Every day, you take my dreams, my nightmares, 
my fleeting thoughts when I’m half-wake –  

blooming plumbago, the sound of the sea, 
the taste of bitter oats, my son’s cry from his crib,

rubber duckies in the bathtub, dances in the rain,
the clinking splinters when the antique bowl falls, 

books by the firelight, peach galette in the park,
our last picnic, my memory of you – 

morning after morning, I feed what comes from the dark sky into your white light 

The Used Book with a Scribbled Circle / Jess Tower

on its cover: your name, right next to KEEP,
couldn’t leave my hands into the garbage can.

Even my therapist (saying: I don’t believe in these things, but
thought the words, so clear, were like a sign. 

Your eyes like boulders – fierce strength unknown to most.
You’re my favorite person because of this.
Because of all your pain added together with mine.

But, how do we make sense of air?
The space between sentences & becoming.
A vacation, a look, that mysterious book 
that told me to keep you, despite?

Eyes unchanged when I told you my new name 
& another time, explaining pronouns. Your eyes 
have seen the bottoms of countless lakes. 
I’m the same: doe-eyes terrified of lacking.
Chronic illness & growing up with youth left & swept 

under the family table with 3 decisive, clockwise strokes
all taught me what most people don’t know.

I know how to explore constellations with you, 
now, this time. Your eyes a map. My voice a guide.

I stashed that book somewhere only you can find.

Day 7 / Poem 7

For All Intents / Hannah Eads

The opening line is the hardest:
she wants so badly to please
then the story follows, conservatively
dressed in an elegant turtleneck
and a pencil skirt, our eyes begging 
to outline her covered curves
before someone else does, but 
we hear the sick first note of a 
love song in the background,
one we hoped we wouldn’t 
and yet, of course, what else should
cause the tension and the turbulence?
At long last we rest upon the writer’s
intention: to hold their heaviest weight and
crumble as the world softly melts our names

The Imposture / Lane Fields

Inside I wake cold, though he snores lightly beside me:
human man, the other,
and, in this moment, an imposture, I fear,
of someone who “loves” me.
Why is it— when night crawls out of me,
engulfs me like a frenzy of ants—
the hardest thing to believe is that I’m worth saving?
I can’t tell you how many times this has happened.
I drop, and gravity— obsessed with my falling— attacks.
Zillions of particles claw at me, swoop me under,
and then, in that moment,The Prince walks in, 
sword kicking at his side. 

Nurselog / Lindsay Illich

I don’t know if it’s perimenopause or something
to do with having COVID last month. I’ve been bleeding
on and off for three weeks. I was in Bismarck.
My driver told me the town used to be in two time zones.
When the bars closed on the east side, the drunks 
would migrate to the bars on the west side. They came 
from the future. The plane to Portland was delayed.
At the falls I considered that it could be cancer.
I saw a tree growing from a fallen tree. The basalt
formation at the base of the falls appeared orderly,
like stacked black squares. I wondered if I could be
rugged. I considered the fern fronds and moss.
I felt something like ongoingness. I don’t know
if it was about the blood or about the water. 

incisors / Row Light

Keep your mouth on 
the whoosh of air going up and through.
You’re not trying hard enough 
to clear the fluoride-
sounds like radio static
or the wrong input.

I’m supervising 
and mean about it.
You’re wearing a hot pink towel
to humor me.

Make yourself a circus trick,
lion rising. 
Roar like I’m the asshole,
as if you could hurt my feelings.

Take Out Counter / LKN

let me swallow your pride
while you wallow on a side
you, and your conquerable laughter
that snickering i’ve been hearing
makes a hunger in me

to devour such a grub-frivolity
i’ve waited for your banter
to simmer longer than it should
i like it medium-well done
not mediocre, not great either

just an aftersnack
cleansing a palete, by the smirk
your shock and envy 
is more delectable than your ego
your grimace said so

thank you for the quick bite
let me know when your pride
is charred, i know you’ll hide
but i fancy a fancy guffaw
when i gnaw your literacy

even if i know it’s gluttony
i’ll sin just to see your jealousy
between my spiteful toilet
and your half-cooked pamphlet
yes… i’m a vindictive poet

but i’m just returning the favor
even if your alibi lacks flavour 
next time… put your mime
in a backburner. not all wordsmiths
can bite your meat-less rancor

sometimes… we can answer

scribbling up—a lackluster
to be more than just an aether

Seattle Fatal / Nikolas Macioci

I’m not rich, but I have enough money
and loose change in my pocket to fly
to Settle for a week’s vacation and afford
a fifty-five-dollar-a-night-hotel room
in a disreputable part of town.
Before going out to explore the district,
I raise a window in lieu of an air conditioner
that dangles like defeat on the window’s edge
and won’t turn on.  A strip of white curtain,
turned gray as abandoned wedding veils, hangs
on either side.  Pink and orange swirls
of cloud initiate sunset, a backdrop
for unsavory behavior below.  Headlights
reveal pimps, prostitutes, and weary travelers
who watch from the sidelines.  I don a blue
golf shirt and khaki shorts.  The August night
is as hot as a day in Death Valley.

I leave the room, step into the hallway
onto worn, red, flowered carpet.  Stale cigarette
odor permeates the air.  I wait beside bronze,
elevator doors. In the elevator, a man
and woman watch me with brief glances. 

Outside, under half-burnt-out light from
the hotel’s neon sign, a red-hot tongue
offering dark a promiscuous kiss, I linger,
count upward to locate my room on the fifth
floor.  Some windows are squares of yellow
illumination, rectangles of butter on red brick.
I find my room, wonder how many people
have lain on the single bed, smoking a cigarette,
the last-stop room that looks the same anywhere
in the world.

I amble on down Aurora Avenue North,
most corners occupied by shadowy figures, 
offers of sex, stories of unfulfillment.  
Two men slump against a building’s wall,
share a bottle in a paper bag, argue unintelligible
In six more days, I will board the plane to Columbus,
                 Ohio.  Cornfields will shine a green innocence below,
and I will be wiser from the teachings of night,
from the many, disaffected lives that settle for the street.

Financial Literacy / David Maduli

Make money
Make money working
Make money work for you
Make monkey work for you
Work monkey, work
Monkey work, you make
Work, make, you monkey
Monkey, work you make
Money, work, make you
Make money money
Take money money
Take monkey money
Monkey take money
Money monkey, you

Dream / Aline Soules

Bagpipes skirl as I float on the ocean. My father calls,
don’t drown, don’t drown. 

I’m a salmon seeking the river of my birth, the Tay, 
Tatha, Tausa, the silent one, the strong one, flowing.  
River and sea, fresh and salt. 

Gray granite town at the river mouth, Broughty Ferry, sentinel 
of the firth. In its heyday, the 1800s, people summered 
on its pebble beach, women dressed from neck to ankle, 
sitting in deck chairs, black and white grainy photos 
capturing them for posterity. 

Whaling big then, too, museum photos of men standing in a line 
holding spades, blubber pikes, boarding knives. The same faces 
in photos in Nantucket and Lahaina. Gone. 

The tide takes me past Dundee, town of my early years, home 
and school, my best friend. We’re playing in our gardens, 
in the coal house, on the shore, in the hills, smelling sea in the river.
The ocean’s incoming tide fingers stretch long, push me to Perth. 
I must swim now as the tide weakens and salt gives way to fresh. 
It’s tougher going.  I sing Rabbie’s Birks of Aberfeldy as I swim
under that town’s Wade’s Bridge. 

Long, narrow Loch Tay takes me west to Killin. 
The Loch Tay Boat Song fills my head. The Trossachs, Loch Tay, 
Loch Lubhair, Loch Dochart, across the Highlands to Beinn Laoigh 
at the head of Glen Fyne.  

Where am I going? I ask my dream, but my dream doesn’t answer.  
West, always west. I rise above the water, soar over the land, higher 
and higher, the place where I began dwindling in the mists.

My parents, my friend, the salmon, the songs, the river ebb. My face 
to the wind, my back to the place of my birth. My mother whispers 
don’t turn, don’t turn.

Class Divide / Jess Tower

Mouths of steel, hearts of lead.
Their teeth don’t chatter like hers do. They hammer.
They bite a hundred bucks and spit it out in front 
of the dying mother, cackling wealth.

Her song gone wrong. A hundred million wrongs.

This country is becoming a jail for many,
not just the unheard who’ve been unheard far too long –
we never listened & now, we wish we did.

A secret: I ration food. Do you, too?

Do you also know their teeth on your skin, biting, biting
whitening the space around the blood,
until there’s just a bruise, don’t whine, at least you’re still alive?

Day 6 / Poem 6

The Omens / Hannah Eads

Standing at the fringe of wet trees
they caution me drive carefully
I slow down as they turn back
to the woods twitching 

Driving home their babies play
in the parking lot or dance down
the stone trail curious at what
we are and what the line is between us

Holding what I thought was centered
I leave it for them at the foot at a tree 
as a question or a worry to be 
acknowledged fortified or forgotten finally

Once In The Car, Though / Lane Falcon


Once in the car though, 
I reclined the passenger seat and slept 
as my mother drove me home 
from the abandoned warehouse 
where I’d been partying. 
She stopped at a Dunkin Donuts drive through 
for two chocolate honey dipped donuts 
and a fountain coke, then drove the rest of the way home 
not talking. 


Once, she stopped at the local community college 
on the way home from the hospital, my two weeks 
of psychotropic-induced constipation abruptly ending. 
I walked out of that bathroom not wearing shorts. 
I still have that dream—my t-shirt won’t cover my ass 
and everyone looks. My only defense is denial.                    Still have 
that other dream too, the silverfish sliding down the wall 
to cover my body with its plated body, consume me 
in my sleep. 


But these are the things, 
like the thoughts that erupted in my mind,
she couldn’t control. They burrowed, 
covered themselves up with loaded soil, 
sprout green winglets that unfurled into leaves. 
Still, I cough on the residue of blame. 


All the humiliation that came after, 
the snatching of my body, the clouding 
of my brain,                 before I took myself 
into the deepest hidey hole I could find, 
barricaded in a teepee made of cushions 
from the cameras of solitary confinement—             
once in the car though, 
she told me
I had gifts— that was the problem. 
And there were always those when grace,
The boundaries too weak to hold, 
Flooded in. Not to hold me in,
To hold me over. 

Speak, September / Lindsay Illich

In her sorrow, she echoes
summer. Summer as aegis,
summer a flowering.

She holds fast and yet
grows heavy. Rainsoaked.
She utters, a delivery.

Her pitch changes.
She is weathering. She’s
been practicing for this

oh, for ages. She points
toward the end. September
reminds us not to forget

where this is all headed. It’s
her way, to make us remember
the light, how quickly it’s gone. 

Lazy Left Pinky / Row Light

I slip between cracks in lined paper 
and pinstriped stool cushions.
Use sticky notes as name tags 
on strangers. 

Scribed grade school letters 
pass under the bar; I dare you to dance,
to sing just for me- 
do they have any Miley on this machine? 

I must say, I don’t love what’s happening here.
Want corner store ice cream 
(or whatever they’re selling).
But skirting the man sitting on Pepsi stock 
means I better make do 
with our last sweaty cider.

I used to write parties,
now I party writing-
sip too close,
stick up the keyboard.
Wind up making love to an aaaaaa.

Lazy left pinky leaves
the rest heavy lifting.
Reliable right pointer works J through P, 
though, could really use some PTO.

These parts won’t unionize anytime soon; 
don’t have it together, don’t communicate.
Just keep to  — and out compete — ourselves.
As the system asks us 
to fight for her love.

It Takes Two, To Tort / LKN

makes us all masochists
as pale memories, impale
it plays the plays of plays
stabbing ourselves with pains
like a loop that gains nothing
but wailing, weeping, wallowing

weaponizing mistakes
becomes a blade of replays
being on-hold, pressing 
stuck with the lame edge
of hurting ourselves like a joy
that we’ve not gotten over
being gotten over with


there’s a hope, still
desiring to be slit by
people, emotions, situations 
that turned the hilt on us first
we’ve picked it up like an alibi
goodbyes become addictions 
to inflict lower than our worth 
slicing a whole-forgiveness

to make a hole in our persons
playing the victim card
being the injury of an afterthought
a hobby to harm the survivors
pleading inside us of a hallucination
like as if that’s our justice

a coward still lives

in a bliss for the forsaken
to inflict a punishment we think
deserves the scars we carve
our unoccupied peace of mind 
piece-by-piss, bleeding ourselves
in the pain of being left behind 
torture becomes us 

doesn’t that make us sadists too
either way—we’re both
a casualty, and a causality
with a finger to point at someone
while three fingers point back
but it’s always from the same hands

Zooming / Nikolas Macioci

I have yet to attend a zoom meeting
in more than my shirt and boxers.
After all, who can see under the table
or desk?   If it weren’t so conspicuous
I would take off my shirt, too. At least,
so far, I haven’t tried to stand up
and do the Macarena or been arrested
for indecent exposure. It’s not that I’m
so immodest. It’s just more comfortable
to be as unclad as possible. I worry
about days when we will go back to
in-person conferencing. Dare I say
I will be tempted to attend in my skivvies.
The difference between shorts and a pair
of boxers is a matter of an inch or two
more cloth. Also, how do I know
what’s going on under other people’s tables
or desks?  Maybe they’re doing a Lady
Godiva while I am more clad than Tarzan.
If anyone ever discovers my attire, or lack
of it, they have been in the wrong place
at the wrong time. What’s the point of clothes
anyway?  People always wonder what’s under
them.  Why not satisfy their curiosity
and resolve the question once and for all. 
In conclusion, all I can say is at my computer,
nudity is looming while I am zooming.

Untitled American Sonnet / David Maduli

twelve year old totes gun to school. district notice states 
one round was discharged, a student was hit~ 
in the crowd of families waiting outside to pick up their kids, 
a little sibling spins around peering up at cloud patterns, 
seeing them spiral. marine layer moves in a slow wave over 
the coastal hills, ocean finds~
remembers~ its flow even in another form 
of matter. through the cattle guard fence 
trees on the ridge are an overgrowth of storm, rebel evergreen 
choked by oak disease, a havoc of leaves. trail kicks 
dust up to the knees, drought is a constant state of being.
parched throat, reach for water bottle in backpack
side pocket, tip contents, unlatch safety,
squeeze the trigger~ drink.

Crossing the Pentland Firth 2 / Aline Soules

There’s still a night ferry, nine hours from Thurso to Stromness, 
but I took the day ferry, three and a half hours. The first difference 
from my childhood, time and speed more important now.

I parked the car in the ship’s bay, ready to climb from one deck to another,  
surprised by an elevator with braille signs, a ding on every level, and voice over.  

The engines thrummed.  I found a chair on the upper deck, a sealed enclosure 
with a slanted window, like an enormous car or a tilted television screen, 
the show turned on for my viewing pleasure. Gray sky. Gray sea. Blurred horizon. 
Rain beat on the window, the only way I knew there was a storm.  The ship 
plowed through, oblivious.  I felt none of the whitecaps, the crests, the troughs.  
I found a cafeteria on one deck, a snack bar on another. Fish and chips, burgers, 
mushy peas. Trays. Paper plates.  I asked an old-timer about the old china plates 
with the St. Ola crest.  You must have been a wee girl to remember that.

At Stromness, we drove off in one flowing motion, as smooth 
as a newly paved road.  So many improvements.  Why did I miss the past?

I flew back. Three and a half flying hours, Kirkwall south to Inverness over Highland, 
an amalgam of the shires of my childhood, Caithness, Sutherland, Inverness. 

I want to see the firth as we rise up and over the wild water, see it swirl and eddy 
through the narrow firth, whitecaps fierce, tides driving all. I look for signs of MeyGen, 
the largest tidal stream project in the world. 

Being built in the inner sound between Stroma and the Scottish mainland, 
East Mey through Gills Bay to Duncansby Head, the tide race no longer a danger, 
turned now to serve the human need for energy.

Looking down, I see only the water’s surface. Like Atlantis buried, tidal turbines 
on the sea bottom, churn their blades through dense water,
silent giants gathering power in the tide race, predictable, reliable, answering only to the moon.

it all began with weakness / Jess Tower

it all began with weakness

then, breathing became
as bad as anti-maskers

then, legs turned boulders
turned collapsing

turned sparkly blue cane & “all normal”
i became heart rate itself 

time no longer felt me, i felt it
i became velvet – old, old, old

i became a cat left out to die
i became a wrung-out towel left in rain
then, suddenly, i became bone-dry

shivering in heat
blue marks on my feet – so, so cold

home health aide
gatorade after gatorade
test after test

crunching pain
insanity calamity
dying crying dying

then, some humanity
not insane!

finally, life no longer a chore: diagnosis

Day 5 / Poem 5

Assembly Instructions / Hannah Ead


Years Later, I Dream of Saving Him / Lane Falcon

It was my old friend, 
the one who stepped  off a hotel balcony,
one look at the girl who was with him before 
he climbed the gate. 

It all happened so fast,
fucked up as usual, his lime green
eyes a stamp on her forever, their beauty 
its own boundary.

In last night’s dream, 
he was against me, didn’t get my dry humor,
banished me to a forest where I flew above the trees,
aware I was running out of fuel.

An animal— muskrat mixed with wolf—
squealed along the forest edge. I landed to speak with him,
hoping for an answer, directions to 
an open door. 

But only my friend could channel the hum 
buried in radio frequency, could penetrate
the strata of white noise 
with his listening.  And how I long

for his approval still, for him to let me in, 
open the automatized door, 
and let me swim behind his eyes,
bathe in inner green. 

Nosebleed / Linsday Illich

We left the store as soon as you felt it coming on, 
holding your nose with your head back.
In the car, a mess of blood–on your legs, 
your jawline, around your ears, a smear.
We drove home in silence, the inside
now outside. We were buying pens.
I was telling you how I hated red pens,
how they make young writers stall out.
The red ink against the page is too much.
There’s nothing left to say. A drop
of your blood is on the console.
We drive home in silence. 

Notebook / Row Light

Day 1 as a wall.
Like compulsive bedroom sketches
before I’ve read the lease.
Taking my notebook into the bathroom
chest covered in its moleskin.
What a strange way to say something meant to rehome
our still-warm thoughts.
Like, was this hard hat not good enough
to womb them?
Did we really need to peel, 
reupholster ourselves 
like chewed up furniture?

As a fan of things being meant to be, 
I still think we need a stronger verb.
Like meant to mean, to breathe.
Mean as a sign, to puncture, fill.

Shorthand for become, behold;
pass between hands;
mind the gap;
expect even less than we’re getting now?
Aggravate grammarians?
To hold;
sometimes lose;
continue to burn;
not work too hard;
in no man’s land.
been beened, used to, had then;
coated in now;
trademark tomorrow;
wet the stage;
to pre-bequeath.

Bored/Board / LKN

passport is greed, made diplomatic
the license to yearn anything beyound
one’s own boarders—the hoarders
of malcontent contents, cased
like all consular pleasantries
some call it: adventure

others: avarice 
to long a long wanting of ungratefulness
of anything, anyone who’s already present
to queue-up for an application form
formed by being a nomad of desire
to be lost—while your own nation, lost

to another rapacious citizen
who’s still unfamiliar of its origin
still hungry not to be still
traversing to gateways, with a courtesy
of not knowing what we’re leaving
forward—is too fast, we easily forget

how slowly we can kill our foundation
when home is a destination
of being transients of our identity
when being local—is foreign
conveniently found in visas
being worldly, but neglecting ethnicity

like it’s a need to be someone else
somewhere else, but our own
aren’t we all tourists of our own selves
obsessing to covet something different
traveling is to explore what’s out there
but do we know what we’ve left behind?!!

No Words / Nikolas Macioci

There are no words in this poem.  Imagine
you are looking at a white, wentletrap,
seashell you found this morning several
inches from the Atlantic.  Sun, a fist of fire,
spread silver fingers across waves crumbling
to shore, smoothed a palm of light over sand,          
but no words washed shoreward.  A kind of
seeing did and permeates your brain with
pictures like a second sight.  You watch
a gull scream out of the sky, half bird,
half hymn.  So far, no words have washed in
on whitecaps either.  I am right there with you,
wanting to see what follows the chill of no
language.  Look up.  Attach to sky and clouds
the inside color of an oyster shell.  Does it
seem you loiter on the lip of the world, waiting
for verbal variables to beach like rare driftwood?          
The ocean is a deep mirror.  Look into it. Witness
elegant fluctuation of shadowy fish.  Feel sensual
flourish of centuries-old breezes fan your flesh, all
without language.  Wade through seagrass,
rouse the spice of feeling, yellow-green whispers
brushing your ankles.  The moment is personal
                as breath, and you can’t nor want to name it
                because you have no names.  Nothing
                approximates an amble along coastline when
                sunset washes everything in finality, yellowish-red
                of Hell hovering at the horizon.  No marks on
                paper can conjure that ancient sight.  Letters
                stumble.  Sentences deceive.  I have given you
                sun, sea, grass without pen or pencil.  You did not
                see me scribble these things on a pad.  It was
                sort of a dance between experience and deception.
                You have seen spume off whitecapped waves,
                night crawling into place like a black spider,   
                futility of a useless grip on the urgency
                of words.  Leave your legal pad empty.
                A blank page delivers the highest level
                of meaning.

Inverse Function / David Maduli

Sharp shard of metal
Flame, arrow sharpened with sun-
Set, painter’s spear. Sky-

Scraper in reverse, top floor
Teasing the ground. Water-
Fall of sky and blood, ocean at

First light. Yellow ochre
Field boils, rushing into
Underneath. All streaks

Streak to the point.
Asymmetry to the core. Star-
Light on your left, dusk on

Your right. Corners counter-
Act, waves aim for third eyes. Floating
Is just a memory.

Crossing the Pentland Firth I / Aline Soules

My father drove on to the ferry for our overnight journey 
from Thurso to Stromness. Even as a wee bairn, I’d been in boats before, 
rowboats, sailboats, even the Kylesku ferry that inched its way 
across the narrow passage where Loch Glencoul and Loch Glenn Dubh 
meet Loch a’Chàirn and link to Eddrachillis Bay.  

This was different, across the Pentland Firth, known for strong tides, 
overfalls, and tide races.  Reeds Nautical Almanac listed dangers—
Duncansby Head, Swilkie Point, Men of Mey Rocks, Pentland Skerries, 
Muckle Skerry, Old Head, Lother Rock, Dunnet Head.  
The grownups filled the car with laughs and jokes, except for my mother, 

the seasick one. We were still anchored and, already, I didn’t like the choppy water.  
We rocked out of harbor late in summer evening, my joy complete in staying up 
past bedtime, leaning on the rail to watch the sun set at ten thirty, pink sky 
deepening for another half hour.

Sunset—the cue to party in the dining cabin. Mother’s attempts to put me to bed 
were overridden by raucous drinkers absorbing whatever lay behind the bar, 
eating dinner off St. Ola gold-crested china. I drank orangeade until my stomach hurt.  
The noise rivaled the growing wind.  

A judder and pitch ended frivolity. The ferry rose and slapped down, peaked 
and plunged as waves crested and troughed. The crew demanded we go 
to our cabins, making our seasickness worse.  The few hardy stomachs in our midst 
drank on in the bar.

We lurched and tossed our way to Stromness, laying to in the harbor for the rest 
of the night. My mother offered to help the galley crew wash dishes 
from the night before. The head cook opened the porthole, tossed out the plates, 
listed them as broken in the storm. We debarked early in the morning
to a watery sun.

Myself, Adjusting / Jess Tower

seems this strange place will never
shake off the absurd
a piece of candy 
containing 8% alcohol 
3 cold brews, black
& sugared scones
a space beneath the trees
while smoking trees
pumpkins line
the Commons, shaking
the wind itself
while a thread called time 
murmurs elsewhere, 
we take hits pretending this
is intelligence pretending this
is creating poetry 

Day 4 / Poem 4

Equilibrium / Hannah Eads

apple cinnamon & bay window seats 
as night splits open the day
remember sliding glass doors
& brownies, the kitchen a quiet womb
above a smokey garage. laughter echoes
at bent ears above the chilly vents. playing
with a telephone cord. the familiar
footsteps of an attic ghost’s heavy pace
one baby humming, two toddlers whisper
four people snore one-by-one

Smoking Outside at Night / Lane Fields

The world becomes porous, 
my body a sponge moldy with old,

and pending, accusations, haunted 
by the scent of mildew, 

my mother’s Catholic guilt.
I call myself every name before she can, 

lower the bucket into the well
by telekinesis, wash my face with 

half-truths: Eve, Hester, 
the mother on the news 

who lay herself down at all costs, 
I who didn’t get up from under 

her own lust. I desire to step aside 
some nights, from the life  

waving from my chest, 
the mirage: a locked house, 

my sleeping children– 
the cricket song, a wall of noise, 

I want to absorb me.

Say I love you without saying I love you / Lindsay Illich

After Point Roberts, the sun was gone.
Darkness settled around the boat,
our moving through water as we are 
moved by it. A point of navigation.
Sometimes a light. The air is a witness.
There are forests between us, a season.
Sometimes a stirring so near grief
that you seem far away. Which like 
the water is a kind of grace. We float
on, buoyed up. We fill the berth
with it. The tines of our antlers,
conifers, our summer coats.

junk drawer / Row Light

–       I still can’t spell Sagitttarrrius
Can’t even Aperol project, or whatever
 Sign emails “bet” instead of “best”

–       “Love gaily forward, don’t go straight,” 
You call a Mark-ism, ooooohhhhh
not Marxism

–       Cicadas in Chicago sound like dental instruments
Squawk like a hamster when you save his life —
Junior scratched a brand new spine in my chest,
must not like this slow heartbeating

–       To take pressure off of any achy house, 
molding basement, splinter shutter,
 I tell my sister,
“It’s shit before you get there,
shit while you’re there,
and shit after you leave” 

–       Though it’s soil we grow in, please question the soil
My secrets still can’t choose when to focus 
or see through sunglasses 
But sort our tools, like no big deal

Who’s still there? / LKN

forgiveness doesn’t knock
even if i kept on screaming
papa! papa! papa
silence is even mute
when death becomes a door
colder than apathy

it can’t care for the abandoned
that tears tears, begging
for a drop of warmth
in a one-way corridor
that slips a key-less regret
in my memory’s pocket

he’s gone—my papa’s gone
locked away by my youth
i should have been here
when life still swung
his kisses and embraces
now—a mere remeberence

of a son can easily forget
sorry… is an alibi’s misery
that can’t open an apology
the way is shut
my sin of recklessly loosing
his last breath

in finding my selfishness
is my unatonable mistake
my requite is in his requiem 
that i can never attend
all i have is the coldness
of the floor, his body

that can’t lie to my excuse
confessions are always too late
the dead can’t forgive a living
who made his quietus—too quiet
papa just wanted to feel
he’s worthy to be called: father

he is… he is… he is

my punishment is on the knob
it is as mute, as stuck as god
unyielding, like my grief 
papa can no longer say: it’s ok
he can’t pat me on the back
pick me up at the entryway

tonight… someone died
i did

RITUAL DIVE / Nikolas Macioci

Ever since I’d dreamed of doing so,  
to dive into Indian Lake at night 
felt necessary.  For a weekend getaway,
I’d rented a ninety-five-dollar-a day
cabin within walking distance of water.
The lake shimmered a hint of blue under
golden, glare of sunlight, and I’d swum
through such sunlight yesterday afternoon 
when I arrived. The dream, however,
had awakened me to a compulsive urge
to risk a night dive.  Though only
eighty-five miles from where I live
in Groveport, Ohio, Indian Lake felt
like an exotic escape, and the idea
of entering foreign water at night
seemed irresistibly adventurous. 

Whereas sun sparkled water in daylight,
tonight, moon, the size and color 
of a white, overcoat button, casts 
a milky path to the dock on which
I ready myself for the dive.    
My curved body falls forward through
moon’s watery skin that heals shut
behind me.  In an instant, I turn
into a comic book hero, wear a liquid
cape that lets me surface like a surprise.   
I dog paddle in place, hold my head 
as high as I can, loose, neck skin stretches 
tight as a young man’s.  Legs kick aside
resistance, body slices through water,
a living knife.  Arms steer to the ladder. 
I pull myself up.  Pearls of moonlight 
roll off me.  Content, like after a baptism, 
I’m satisfied to have taken handsful of night 
with me as if I were on a spiritual journey 
with a sacred purpose.

Ghazal of Broken Granite / David Maduli

Virginia winter driveway pops poured rock 
Salt, saltw ater Waimea local boys jump rock.

Climbing coconut trees pass cousin 
Husks like Stockton passed the rock.

Raw coconut meat meets Kalihi breeze across
Street from belief this temple this rock.

This sea these straits navigate Pacific
Slip Atlantic under Gibraltar’s Rock.

And you don’t stop. And you don’t
Quit. Rock to the rhythm rock 

Rock y’all Stevland soars- You
Took me riding in your rocket,

Gave me a star. System sola
Planetary the sun’s third rock.

Third millennium twenty-first century
In the year of the lord Chief Rocka.

Number One. Busy Bee. Frosty Freeze. Pretty Flaco-
One for Charlie Hustle, two for Steady Rock.

Shock G’s piano keys Flavor Flav’s clock
Sizzla Kalonji swings- I’m so solid as a rock.

From the block to Alcatraz free Leonard
AIM hangs banners on The Rock.

All land back all water return all keys 
Hammond B-3 Remember: when we used to rockaway.

Pangasinan. Puerto Rico. Palestine. 
Turtle Island to Jamrock.

Hard knock academy
’Til the colonizers kick rocks.

Ancestors cocked in David’s slingshot. 
Levitate stones bounce roll skate rock.

Saturday / Aline Soules

A sleepy Saturday morning, the two of us alone together.
We languish in each other’s arms, stir to intimacy, sleep again. 

You want to go out to breakfast, but weekend chores beckon.
I make breakfast instead. 

You mow the lawn. I weed the flower beds.
You fix the broken chair. I launder the sheets.
In mid-afternoon, you fall at my feet. 
We will never speak again.  

I want organ donation, I say, late in the afternoon.
Nurses hook my husband to more machines. 
I call our teenage son, tell him to come home from college 
to see his father’s body for the last time. 

He drives home overnight, and we go to the hospital.
Someone comes to ask me questions, our son sitting beside me. 

What did he do for a living?
Was he around chemicals in his work?
Did he smoke?
Did he drink?
When was the last time you had sex?
How did you usually practice sex?
Something else? 

Transplantation takes place that Sunday, heart, lungs, kidneys, skin, bone, 
his sacrifice, his offering. 

Our son and I go home to a week of decision-making: cremation, memorial service,
notifications, death certificates, financials, legal issues, health insurance for our son. 

On Saturday, our son returns to college, colleagues to work,  
neighbors and friends to their houses and lives. 

How could I have known that our last time together
would be the first day of my new alone? 

We should have skipped our chores, lingered in bed all day,  
not eaten breakfast at all.

Bonded / Jess Tower

It’s difficult to write about my family.
Words were knives, slicing like-real flesh & 
I was never allowed to relax with all the screaming, 
banging, the kicking down of my doors if I talked back.
So I’d people-watch; for a long time I just watched & learned.

But alone-ness doesn’t give that same just-sunburnt flush 
of needing, of being cared about. Family isn’t all blood

& blood doesn’t always have to spill.
It began to still within my body when I met Brianna.

My best friend’s family became mine –
beginning with a nickname, Stinky, when I left my clothes
one whole time on the floor of their bathroom; then another, 
Jeddica, when Brianna’s first child began to talk.

The years becoming floral swatches spreading like butter
on my moonlight. Then, finally, the sun so brightened 
through hobbling beyond the caves of my Dark Ages 
& by their generations of compassion. 

I’m now bonded
& my blood no longer spills.

Day 3 / Poem 3

We Shall See Him As He Is / Hannah Eads

One domino hits the next
some call it destiny, complex
coincidence godless fevers
one wild hair seizing in the ether
sticking to a sweaty forehead
in a nightclub going, gone, dead
before bed I look at my domino,
not sure what this world seems to suggest

Serenity Prayer / Lane Falcon

Sometimes I think you’re the chemicals 
in my brain, and it isn’t fair 
that I can’t tilt my face to you naturally.
Sometimes I think you’re the crickets
on August nights, the seamless continuation
every summer. Or the dragonfly larva 
that zigzags in leftover rainwater, the seconds
wonder ceases me, small miracle,  
through my bruised perception. 
Sometimes I feel myself let myself go,
let the horse gather beneath me, 
the shattering gallop, then I remember 
and go stiff at the reins. Sometimes 
I think you’re the chemicals in my brain. 

The Music / Lindsay Illich

          for Esther

It begins when a corona appears 
at the edges of the curtains and by minutes

slowly brightens. In the distance I hear
the highway filling with blood. A plane’s 

gearing overhead, the redeye readied
for landing. Down the street a rumbling 

then a clatter, the refuse getting hauled 
away. I wait for the house to stir. I’m thinking 

about the day. I’m not ready to face it. 
The room is becoming distinct among birds. 

The bows are drawing up, the bassist
stands.The world is ready to be heard. 

The first note from the trees in susurrus;
would you like to join me in the chorus? 

*note: Songs learned at an early age are deeply embedded in the memory and are sometimes easily recalled even by those who suffer cognitive impairment and memory loss. Singing a familiar song with someone who suffers is often a comfort. 

I – / Row Light

Can’t even spell Adderall. Brain BEST FRIEND,

She looks ALLLL the way out for this body —

Curbs I can’t cut, diminished

Motives rocketing pinball innards. I am GRATEFUL

For her and those cousins who clock in and out of delinquency —

9 to 5 Dolly Partons, phantasmic Western shootouts, 
slipped seductions smoking out these day-gone hours.

With our TRUE heroes, work gets DONE to medium, even WELL —

Like foolproof, break a tooth, it’s THAT good, almost unfair

To the veal, which goes down easy and won’t get stuck.

Please remind me of the ways we digest love in secret – remind me, I ATE today

(And probably will tomorrow) If I ever feel the stuckness unmoving through me —

I’ll mourn him like a friend, grieve a second time down this body

(Which was always too sad to touch veal as a child

That never-lived darling more stuck than I’ve been)

            ((Except that quaran-time all I moved through was legs in an open window
            and the air itself was fire and the pollution particles were ready to disease me 
            into my final sorry))

A medical professional in a Hawaiian button-up gets vacation days outside this mess,

(Usually, I imagine, caked in zinc like a baby’s day out, maybe blue bonneted 

over his curly greys)

But leaving symptoms on his desk, I still ask, Will this help? 

He blames athletic bodies’ particular lows, says I’m spoiled 

With a heartbreak pace, the actual rhythm un-sitting still and unwilling sleep.

But I AM IN CHARGE here, with you, bottles made preschool music egg shakers,

Throbbing Boomwhackers (I had to look up, these many years later)

Colored from bruised green to chick light to algae blue, still making me gum hungry.

Oh, I may not b-focused — I’ll charge by the hour in delusional states

of I THINK I THINK and then BURST into it, and trust me, it’ll be worth the wait,

I say with my headband too tight where thought temples should pulse. 

I say, DONE with delusion and dog watching and curbside pickup and a child

Spilling avocado up and down her girl power t-shirt.

When her father says she could feed someone with just what she’s spilled 

I just hope she’s full 

and can run if she wants.

In Cession / LKN

politics, legislates in my blood
with a congress of duty
passing the loss of laws
to make bills, that bills
my choices like taxes
that pays the offices of sins
being born, sworn-in already

to interpolate what’s best
for the no-oneness
filing the legacy of corruption
lined-up in a committee
that chooses friends, lovers
diplomas and careers

like a machination of a nation
with a podium on my last name
identity is my bible
that swears at me, when i swear
i just want to be… myself
who’s a nuisance in a chamber
full of foolish recognitions

where fame is an audience
i can’t lose face
my family wears it
like a mask of articles
they use me as a platform 
elections are won by lies
as people rise, to a ruse

everyone is a vote
loyal only to self-propaganda
to campaign an agenda
to reign with an insane idea
democracy dies
when the sun rises in a son

and the plenary begins
from day one

Uncle Bob / Nikolas Macioci

During last hours of his life, he asked
to have his feet rubbed. This is the uncle
who only came to visit when he was
drunk, belligerent, argumentative,
and wanted to fight.

Now, he lies on a crumpled bedsheet,
pugnacity gone, strains for last breath
from lungs at war with bacterial     
                 pneumonia.  Nurses become the
government in the room, regulating
machines to avert death. 

Family members gather near
the bed, moment to moment wither
into acceptance that the benefit of doubt
has been taken away.  It is as if they watch
a magic show when the magician fails
to pull a rabbit from a hat. 

The room is made of whispers.
This is a time when even the water glass
on the bedside stand becomes a reminder
of options of the living, commentary
on the mundane.

When death delivers Bob’s last breath,
a nurse attempts to close eyes.
They remain reluctant until her third try.
                 Family stare at the body, each other,
                 the floor, and then at nothing

infinitesimal calculus / David Maduli

for Z
it is not : 
the scraped leg
absent lunchbox
empty water bottle 
ill-fit shoes
misplaced granola bar
substitute teacher
friend who ignored you
mother’s scold
brother’s tease
father’s distraction
running laps on laps
that will sluice the well 
inside you 
it is :
the holding of all in a cramped abdomen that will erode 
you into coast cliff falls
it is :
friday’s flute
gradient light
nectarine evening
ice cream fog
fleece weekend
brother’s song
father’s tidewater
mama’s prism
oakland’s viola
canicule friendship 
succulent heliology
palos colorados
feline library
that will refill 
your moon

Visiting Chimayo, New Mexico / Aline Soules

We stop for an hour at Chimayo 
to see the sanctuary, the art, the gift shops. 
I wander past a whitewashed building 
with black lettering:  Santos.   Woodcarving. Popsicles.   
Statues everywhere—in and out  
of the church.  Three Cultures  draws my eye,  
ten feet high,  of stone.   
The sanctuary is small, but filled with altar, 
pews,  a rack of votive candles, side chapels. 
The stations of the cross appeal,  
their clean lines, their bold colors,  
except that someone is going to his execution. 
I would need a long time to count  
the Christs and Marys, longer to count the candles  
in the church and outdoor alcoves,  
even longer to count the crosses and crucifixes  
strewn around the property 
and embedded in chain link fences. 

Having toured the tiny town, I enter an art gallery  
and café, order black tea. The owner  
explains his wares.   He carves. His wife paints.  
Their religious art, crammed on walls and tables,  
pop  with colors, but what draws my eye  
are two pencil drawings of landscapes. 
Understated among the gaudy, the delicate  lines  
stand out.   The owner sighs, admits  
they were drawn by a friend.    

The landscapes tell me what to do.   I go outside  
to the edge of the property, find a creek  
with only a trickle  of water.  
Beyond is a field with a large bull.  
Beyond that, the mountains. 

The Rock Collectors / Jess Tower

As a child, I’d fling lumps of clay into the gray
water at the equally gray beach near my home.
One time, my little brother (a rock collector) 
got stuck in the baby swing & I ran
to the neighbor’s, my clay-stained hands
inking the doorbell. Wanted butter to slide him 
up & out. Heard mom say it once & thought 
it was factual. Thinking, a girl’s gotta do 
what a girl’s gotta do. They called the firemen 
& two of the guys flung him out so hard 
I thought he’d break easy, just like the clay 
from minutes ago. Then, a huge, ugly rock 
tumbled out from my brother’s pocket. 
The crowd laughed.

Another time, I found a little frog in the yard.
I put it by the ocean to save him. Frequent
misunderstandings like this for Miss Jessica. 
I’m just like you, but I don’t collect rocks. 
I need the feeling of that clay between my fingers, 
squishing my frustrations away. A little bit older, I 
was told the umbilical cord had wrapped around 
my neck in the shape of a cross. Doctor in awe, 
mother screaming to help me breathe. I was always 
touching, but wasn’t touched in that way again 
for a long time. She didn’t understand that I needed 
that intense hug to last just a little bit longer.

Day 2 / Poem 2

September’s Fall / Hannah Eads

Ugly to be falling from a tree 
with no context the concept is
not new but awful nonetheless
would an artist ever miss
the chance to beg for more?

Ugly to be quitting like this like
one more time I’ve reached
the other side and found out
nothing more no relevance 
to hold on to this universe

Ugly to be walking where there are
no deer no luck no shooter on
the corner like there was yesterday
squinting in the sunset rays
to look for other shiny apples

Dinner with Claire / Lane Falcon

While she was talking about the rarity– to be at ease
with other creatures– I was watching her talk, the “I love You” 
installation bright pink behind her, the busker singing At Last
people buzzing along the pier— the last day of August. 
I was thinking about the horse I ride, 
and how her spine curves hands above me 
when I rinse her after the heat, scrape the water 
from her dazzling hide. I was thinking about 
how we curve against each other without touching– 
that’s what ease is, right, with being? 
To coexist but warmly, without stimulus between you, 
the blinking shards of image, the plate of orzo and emerald
greens before me, the shine of the glass I drank from, 
I was watching her talk, her painters’ brain its own source 
of magic. I told her I felt like Queen Anne on horseback. 
I wanted her to know I can guide a horse lightly, 
the hooves clapping behind me, a sense of something soft, 
and silver, between us. 

At Auke Glacier I Consider the Mystery of Desire / Lindsay Illich

The wait want that flowers that’s you
or draw me into rain I run rivulets
your face the image of the sea
at the end of desire a color then 
opalescence I turn away the night 
undoes her things I hold you 
close I ask about fireweed &
counterweights the boat shoulders up 
the coast through the deep
fir & fog in the cliff face that’s you
the islands I’m making my way back

Unable still to sing in the morning / Row Light

Sandpaper throat, I overindulge you 
In hot mint that breaks toothpaste down for damages
I am – not ? dying ? or the way I slept wrong on the neck
Won’t mean the end, I woke up lightning 
A supple body molded against my side shivering for the noise
The burst of air, swallowed into myself, pooling spit – is un-spit,
Just saliva? Drool moves slower, more romantic – 
I’m not sure I’ve said anything yet – but 
Rabbit rabbit rabbit, passed through the teeth, looking on
At the glistening face, damp forehead hairs – 
I push away the wrappings, then tuck the body tighter.

Murmer, there / LKN

i was taught to pray

with fingers crossing
the steps of innocence
eyes, lowered like in a burial 
of a child’s submission
corruption begins with fear

that hell lives in me, still 
needing to knead the knuckles
bowing a shame that can point
how not to be a messiah 
of disbelieving—memorization

can save, even a church
being built in me, with every litany
it’s the legacy of making a door
out of my mouth, to shut
on the scripted faith

in the mystery of our hailing
glory be to the parenthood
of repetitive guilt of being young
they’re making a knelt-limbo
when i close my penitent eyes

making ignorance—my gospel
reading the begging salvation
making a homily out of a son
then, hand-feeds a contrition
to contract a host in my body 

a ceremony to sacrifice a child
who stands up to be a hallelujah
worthy to burn for a lifetime 
why is it always the lamb
that gets offered first

why can’t we offer god instead

LIBRARY EPILOGUE / Nikolas Macioci

Homeless, he slouches at a wooden table
in the reference room, Columbus
Dispatch open in front of him, an excuse
for being there.  Fluorescent light glares
over newsprint he mostly ignores.    
It is almost closing time. He replaces
The paper, drags himself toward the door.
Last orchestral notes echo
from the audio-visual room.  A blast
of finale, frenzy of sounds remind him
of teaching music before layoff,
poverty, and no housing forced him
to the streets.  Leaving, he trudges
past a showcase displaying Shawnee
artifacts, a bit of history about which
he is indifferent.   

Bronze doors lock behind him, tight as
a secret.  Night surrounds like
an inescapable hand.  July evenings
make it easy for him to sleep
outside wherever he can. Plodding
down Grant Avenue, he passes wishless
faces, familiar comrades struggling
to stay alive. 

As a child, his parents turned him away,
tortured him with abandonment
and foster care.  Now, he blesses beauty
of skies, lives within safety of sadness,
is burned raw from the stars. 

bedtime / David Maduli

—for A
september’s solarium
filtered through smoke
golden hour tinted clay
clouds of mountain
sky’s sear deglazed
the tilt of blinds
casts a crown of
sunset on the child
sketching homework
desk piled with comics
crowded with pencils 
various colors and shades
shorter days await 
streetlights turn early. dreams
stay up late. if story is
the breath of ancestry then
to write is to lung, to dream
is aorta, to hum. homework done, he
tucks himself behind the ridge,
stretches into river. dusk is
here, is always here. yes, 
the bay is ocean. somewhere the crown 
still glints, memory is
home, the gold
shines golden.

Footprints / Aline Soules

All summer long, we children clattered across the pebble beach at the mouth of the River Tay or built mud castles, our toes splayed by the ooze, our feet chill on hot afternoons. As sun faded and the tide rose, we ran across sea grass to scrape the mud from our feet, but there was still enough to leave footprints above the high tide line. The next day, we found their traces, argued over whose footprints were whose. 

saltwater lapping 
tide pools filled with jellyfish,
chitons, anemones

My husband and I took our son and his friend to camp at Killbear Provincial Park on Georgian Bay, the northeastern arm of Lake Huron.  No mud here, but gneiss, smooth except for the chattermarks of boulders that once scraped the rocks under the weight of glaciers. Ideal for climbing, the rocks enticed the boys to climb and play pirates. They swam in the clear blue and we canoed to a nearby island for more adventure. We fished for trout, bass, and walleye. At night, we read Treasure Island by the campfire, while they sickened on smores. They didn’t want to know the inspiration came from somewhere else – Braemar or Bristol or Point Lobos. 

climbing rocks, swimming 
sandy beaches, windswept pines 
rocky island shores

The first time I went to the shore with my son’s family, my grandson was three, happy to dig in the sand with his new spade, fill his bucket, upend it, and bang on the base to release the packed sand. Oblivious to the drainage ditch, ignoring the crowded beach, he built more and more cylinders. We lined them in rows, like soldiers, then squared a fort, filling the small space we could claim as ours for the day. When he wanted me to stop the rising tide lapping at his creations, I told him the story of King Canute commanding the tides to halt – in vain. 

seaweed, families,
dogs running, tossed paper cups
kids playing frisbee

complex post-traumatic stress disorder / Jess Tower

I’m holding myself, mirrored, in my bed.
Sleeping or not. Heal me, heal me not.
I’m drowning myself by the neck. Pulling myself
out of its ball, leaving a bare naked thread.
They scare itself. A red scream, a calculative
dream, a wild seam, a dead stream. It pulls itself
close, it smiles like veins. It unwinds hair 
from my heads & clamps them together with spit,
a far cry from healing. No no no yes no no.
Pulls lashes from its eyes like flowers
in the schoolyard. It smells like home –  
cigarettes, lavender, unscented bathroom spray.
Its black hair matted with red, red blood. Smells like home!
Dead like it’s supposed to be. Maybe I’m still pretend.
Maybe the sleep & wake cures fakely.
The other me slows into the other side of my bed. I see
a tan dog (oh! my dog)
on top of my white pillow (it’s soft)
& then I (the fullness of myself) slip
into bed (the fully real one) & sleep.

Day 1 / Poem 1

Barehanded / Hannah Eads

Something caused the nest to fall
and—cupped by a bush—lie
open-faced, a black hole looking up
Circling itself, a snake peers out
from inside a stone wall to remind me
of those I can’t forget
When later I find its molted skin
I still feel his black eyes on me as I pick 
up broken blue eggshells barehanded

On “True” Intimacy  / Lane Falcon

The reflexive white lies I sent scattering 
into their corners every time he asked a question
I was too embarrassed to answer: 

What were you doing? (napping.) Writing. 
All those alert and ghostly night bunnies 
that popped their heads out I scared back 

into their corners. I was gonna do it right this time. 
NO lies, my pockets emptied on the table down to the grit 
along the liner. I was going to open myself up 

like those faceless demons on stranger things, 
my whole chest blossoming from a hungry core. 
I wanted just once for him to reach in, 

to pull out something beautiful, the glass bear 
he bought me at the zoo, the promise of joy
when one let’s go, 

when all the old harms have been 
polished, named and set in their forever places,
the promise one more gift is in that bowl.
In the end, he too left, just a man after-all,
left me with God to point out the stars, to name
the uncharted colors of my soul. 

Fall / Lindsay Illich

I wasn’t my best today, not even close.
I forgot a friend’s move and that her father
has been ill. I forgot another friend’s hip replacement.
I was short with my beloved. I recognized all this
in the moment it was happening, and then again
later, when the night’s pause throws 
back all the day’s mistakes, in waves.
I’m on my little raft, the glow of my phone
on my face. It’s almost September.
I am still learning how to be around company.
I go to school and listen. K pulls a leaf
from my hair. A dragonfly lights on my sleeve.
I feel the night pulling me out to sea.
I am still learning how to be.

But mine, / Row Light

I imagine you and gauze wrapped around a telephone pole.

Half-written, half-printed sign                  of the ways we can and cannot stay.

 We’ve designed this thing so airtight       it seatbelts.


You tell me     you love me —

our kind sprouts                    just peeking 

                                                              as May drops to zero.

I would be the love               of everyone’s life —

            but where would we keep               all the hangnail pillow feathers, 

                                                                         spent pencil skins?

I wish back    cloth napkins,            favorite closed lips,

too polite to mention                      whatever’s leftover.

Con Ferment / LKN

rape begins in the womb
teaching us
to take what’s not ours’
being parasites
of god’s curriculum to live
sucking life of being present
mothers—are our first victims
after their duty enrolls
their ovaries to dress up
like a uniformed oblation
ready to be striped off
as fingers slide to attend
the classes of pregnancy
we snatch their consent
their ignorance of how much
we consume, is not our failing grade
the victims know the lunchbreaks
that breaks abuse like an a+
on the bulletin board of motherhood
while we sit-in to reveal a steal
the programme lasts for 8 months 
violence is free
free to drain our host
our craving knows no sleep
hauling “nurture”, is an innocence
aced in the semesters
of mothers wanting what’s best
in the syllabus of adulterated
wanting to produce a gift
we’re gifted in seduction 
accelerated to master a bait
to fool the teacher to offer
an extra credit on gender studies
predators knows no sex
amen to amensalism
that’s the major we get
upon graduation—being born
as the degree cums
when we bow, and cry
b.a. in rape (hons)
aren’t we all an alumni
of this despoiled programme 
the question is
what do we do with our diploma
after our commencement 

Toward Fall / Nikolas Macioci

Among the oaks, incantations of leaves
are a chant, a crooning across the breeze
of something losing a hold.  In the garden
a string of aluminum pie pans brush
against each other making a metallic echo.
Like black needles, crows sew clouds onto cobalt
sky, careen and capture tops of elms.
Bees comb begonias, wings cloaked
in pollen.  I amble toward the birdbath,
and when I reach it, September light shines
soft creases across my face on the water’s
surface.  I erase the lines with the full force
of the hose and watch water rain over
ceramic edges then level off like
a symmetrical puddle on a pedestal.
Above my head, dogwood foliage has become
brittle with crimson edges.  Its leaves,
like simple truths, spiral to the ground forgotten.

A complex emotion brings me to a standstill,
leads to a moment of valuing everything:
the squirrel whose gaze follows me, the black
lab next door with its paws on the fence, 
the sass of bluebirds on a telephone line. 
All these entities remind me that I am
still able to walk away from death,
to live the fact of this day, bright and lush
as the shine of juice from a sliced apple.

Heterosigma akashiwo / David Maduli

Sun sets into the Bay and detonates into wildfire, lava’s testimony, volcanic rust, estuary of napalm, Hell’s marina, Lake Merritt’s shore is metallic, upon closer look mounds of dead fish like fallen leaves from a silver tree, OPD chief says ShotSpotter activated, officers dispatched to the scene, multiple vehicles collision, shell casings, wastewater effluent, warmer temperatures a factor, bicyclist struck as one car fled, striped bass, sturgeon, smelt, driver, passenger, biker, harmful algal bloom, multiple gunshot wounds, pronounced dead, cascade of choke, six homicides in four days, low dissolved oxygen, underlying causes, red tide, red tide.

Diary of the Dead Oak on the Madrone Trail / Aline Soules

A junco pecks at the fallen trunk, thick as a giant’s arm, 
its base buried beneath the road, the rest arching 
down the hill like a hand reaching out from the depths 
of the earth, fingers pointing, tips touching the ground.

A swallow perches, launches an attack on an insect 
too small to be identified by my human eye. 
The bird pays no attention to the snake 
draped across the middle finger to sun itself.
A shadow warns of a gliding hawk and the snake 
slithers away. A squirrel darts with an acorn 
between his paws seeking a snag made by 
a woodpecker when the tree still stood.
The echoing rat-a-tat in a nearby tree 
gives the woodpecker away as he drills for grubs. 
Spiders, ants, and caterpillars feast on the tree limbs 
and nest in its hollows.

Termites, ants, beetles, and butterfly larvae 
break through protective resin to reach the wood 
and feed on cellulose and lignin. 

Saplings, aptly named, sustain themselves on the bark
while fungi break down the rest of the tree 
and send nutrients to the soil.

I tell my grandson that if he set up a camera and tripod,
 he could make a time-lapse diary to show 
the tree vanish. It might disappear by the time 
he’s eighty, but dead trees can live longer than we do, 

centuries or millions of years if you count trees 
mummified in the far north. He laughs at the idea of the dead 
living longer than humans as he climbs on the trunk 
to walk its length and jump up and down on its yielding bole.

Inheritance / Jess Tower

I thought it was a joke the first time I heard the word 
used in an actual sentence by actual people I knew. 
I think that was when my inner child died: I’m truly trying 

to swim out of a whirlpool within a hot tub 
to get to the pool just inches away, 
but even when I finally, thank god, surfaced, 
the pool monitor wouldn’t let me in, so I just went back
       to the place 
so tiny & deep, so I wouldn’t drown in the fresher air.

I’ve listened to countless white men whine
about their parent’s money, 
making sure to “mhmm” in the right spots 
while wiping peanut butter off 
my crumpled shirt.

They think I’m the same. Haha.
I’m so good at pretending to be well. 

My inheritance: A jealousy so intense.
A “wow, so sweet,” then “WOAH.”
The ability to code switch: poor bitch & rich friend.
Mental illness up past my head. But, also, black sheep.

I limbo the space between hot tub & pool.
My left ear hears cunts while my right picks up continents.